I really hope someone writes a book someday on the historic wet, steaming catastrophe that was Warner Bros. DCEU. I’ve never seen a studio so hell bent on sabotaging themselves before. They had a golden opportunity, holding possession of some of the biggest icons and money making characters in pop culture history. It should have and could have been an easy slam dunk during a climate where comic book movies were all the rage. Instead rather than let directors make movies they just destroyed any momentum the DCEU had at every turn.
With “Aquaman and the Lost Kingdom” arriving in theaters and signaling the very last movie in the Zack Snyder engineered DCEU, I ranked all of the movies in this universe from best to worst. Here’s hoping James Gunn brings these properties and beloved characters back to their former glory very soon.
“The Flash” could have and should have been this sleek, exciting, action adventure science fiction film that chronicled what is still a very appealing superhero for the modern age. Instead, with Warner Bros. help, “The Flash” is transformed in to a silly, campy, overlong chore that spends much more time on fan service than it does building an interesting character. Although The Flash is still a popular character with comic book fans, “The Flash” should have had broader appeal and a better grasp of its subject matter. Instead Andy Muschietti’s adaptation of the scarlet speedster feels like a goofy riff on “Back to the Future” time and time again.
Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.
One of the things about “Fury of the Gods” that made me laugh is that people gave “Man of Steel” so much crap for its blatant product placement. And yet, with “Fury of the Gods” there is literally an entire plot point centered on the candy Skittles. At one point one of the characters even proclaims “Taste the rainbow!” as they ride unicorns in to battle with the film’s villainesses. It’s really not a hindrance on the movie as a whole, but I was kind of laughing to myself at those that made such an issue about big product placements playing key roles in major films.
That’s about the biggest glowing opinion I can give “Fury of the Gods” when all is said and done. The follow up to the 2019 crowd pleaser is a perfectly fine film. It’s a solid adaptation of a unique comic book series, and it’s a good chance this is the last time we’ll see “Shazam!” with this cast. That being said, I liked “Fury of the Gods” even if I wasn’t a big fan of how much they toned down the content to make it so much more appealing to the younger audience. “Shazam!” had demons, and “Fury of the Gods” has unicorns.
I’m surprised it took this long for a super pets movie to be conceived by Warner Bros. It’s always been a recurring theme in DC Comics with superheroes having their own super pets. Hell, even Superman had a Super Horse at one time or another. In either case, “League of Super-Pets” feels like a next interesting step in the DC animated universe that I hope can continue in one way or another. While the movie isn’t perfect, it sure is a fun diversion with a neat narrative.
I guess because it’s written in blood in a contract with some demonic force that every single year, Scooby Doo has to have a new movie released on or around the Halloween season. Truth be told, the movies sell well and Scooby Do around Halloween just makes sense. The long running series from Hanna Barbera has been one of the most influential franchises of all time, even bringing with is a wave of goofy, silly, god awful copy cats. They tried everything to duplicate the success of Scooby from talking mopeds, goofy ghosts, and even miniature detectives.
These are five of the worst Scooby Doo Knock Offs, and Four of the Best.
Director Patty Jenkins’ “Wonder Woman” movie series has been very good so far. What’s kept the series from being great is the films’ lack of really interesting super villains that can make Diana’s heroic quest difficult. “Wonder Woman 1984” is a very good movie that has its sights set on paying tribute to the iconic heroine, and in those respects it’s a very good follow up to the original film—save for some glaring flaws that keep it from being a great follow up.