Bad Movie Monday: Burial Ground (1981)

Not everyone is like me, a movie masochist who willingly seeks out the absolute worst that cinema has to offer. Some of you might enjoy a little bad acting or some ridiculous plot twists, but you don’t want to feel like the movie mugged you in a dark alley and then kicked you in the groin for good measure. The desire for a film to NOT cause your mind to snap is something I can totally empathize with. You want fun, not pain. I understand perfectly. So today’s Bad Movie Monday suggestion is going to be a mostly fun one. And so I present to you Burial Ground.

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Diary of the Dead (2007) [Blu-Ray/Digital]: Wal-Mart Exclusive Steelbook

Later in his career, George Romero never could win with audiences. If he was too campy, he was berated for not being serious enough. When he was too serious, he was berated for “losing his sense of humor.” With “Diary of the Dead,” Romero has a very unique and important statement to make about the media, misinformation, and the dangers of social media. With “Diary of the Dead,” Romero bounces back and forth between cheeky camp and some stern warnings about misinformation and sensationalism during very real times.

With this iteration of the zombie apocalypse, it isn’t so much the death of death that kills us, but the lack of information for the sake of entertainment.

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Festival of the Living Dead (2024)

Now Streaming Exclusively on Tubi.

The Soska Sisters hit absolute rock bottom with what is possibly one of the dumbest zombie movies released in the last few years. It’s dumb, and when you think it can’t, it finds new ways to get dumber and dumber. The Soska sisters are usually a very talented pair of directors, but with “Festival of the Living Dead,” everything wreaks of pure amateurism, but exploiting “Night of the Living Dead” for fan appeal, to the painfully stupid script, and just downright terrible acting. To make things worse, the premise and concept takes such leaps and bounds to connect to the universe of “Night of the Living Dead.”

And it’s only “Night of the Living Dead” since that’s the only movie in the series in the public domain.

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Lisa Frankenstein (2024)

Director Zelda Williams and Diablo Cody’s “Lisa Frankenstein” doesn’t just wear its influences on its sleeves, it bedazzles those influences and flashes its sleeves around proudly. “Lisa Frankenstein” watches as if Diablo Cody pitched: “Remember “Edward Scissorhands”? What if “Edward Scissorhands” but in the 80’s?” All the cards are set up from minute one, from the Gothic animated opening sequence, and the pastel photography, while Kathryn Newton and Cole Sprouse do their very best Winona Ryder and Johnny Depp impersonations.

Mix in “Heathers,” “My Boyfriend’s Back,” and “Warm Bodies” and we’re given what is essentially a ton of talent with no place to go.

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The Barn Part II (2022)

If Justin M. Seaman’s “The Barn” was “Ghoulies,” then “The Barn Part II” is the “Ghoulies II” of his horror movie series. His Halloween centric horror movie series has managed to deliver in surprises and good old fashioned vintage scares and I’ve enjoyed a lot of the mythos that Seaman and co. have created. “The Bart Part II” is superior to the first film in every way, as while the original is a very good small scale Halloween movie, this follow up doubles up on every aspect. There’s double the gore, double the body count, double the T&A and even larger scale monsters.

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