In a year filled with a ton of very serious horror, it feels good to see Radio Silence offer up a quick, breezy bit of survival horror that I could get behind. In fact the compactness can even tend to work toward the film’s detriment as it feels like an extended version of an anthology horror show, right down to the fact that it’s all one big chamber piece. “Abigail” watches a lot like the classic EC Comics, where our ensemble of ne’er do wells get what’s coming to them in a remarkable twist.
Tag Archives: Horror
Hunting for the Hag (2023)
A small group of friends head out to investigate a witch known as The Hawthorne Hag in an effort to catch her on camera.
Winnie-the-Pooh: Blood & Honey II (2024)
In the sequel, the gang is all here, well almost. Pooh, Piglet, Owl, and Tigger are stalking and killing in the 100 Acres Woods.
Bittertooth (2023)
Bittertooth is available exclusively on Mometu.
A true crime podcasting due with wildly different backgrounds get involved in solving a local serial killer case. As they disagree on the approach, things take a turn for the bloodier.
Festival of the Living Dead (2024)
Now Streaming Exclusively on Tubi.
The Soska Sisters hit absolute rock bottom with what is possibly one of the dumbest zombie movies released in the last few years. It’s dumb, and when you think it can’t, it finds new ways to get dumber and dumber. The Soska sisters are usually a very talented pair of directors, but with “Festival of the Living Dead,” everything wreaks of pure amateurism, but exploiting “Night of the Living Dead” for fan appeal, to the painfully stupid script, and just downright terrible acting. To make things worse, the premise and concept takes such leaps and bounds to connect to the universe of “Night of the Living Dead.”
And it’s only “Night of the Living Dead” since that’s the only movie in the series in the public domain.
Exposure (2023)
At the moment I’m not too sure if Kris Cummins’s “Exposure” is an ARG, the start of a series, or a proof of concept, but what it is is one hell of a scary horror film. A lot of the best horror is rooted in reality and “Exposure” is one of the most realistic modern horror tales ever conceived. The idea that someone is using a digital baby monitor to terrorize or torment kids is something that happens far too often and director Cummins takes full advantage of that.
Sting (2024)
Opens Wide in North American Theaters on April 12th.
I’m glad that monster movies seem to be making more and more of a comeback in the last few years, and among them are director Kiah Roache-Turner’s “Sting.” Roache-Turner is an individual that’s delivered on very gritty, grindhouse flavored zombie films over the years (Any other “Wyrmwood” fans in the house?), and “Sting” is a big departure from what he typically offers the horror crowd. That’s a great thing because he proves that he can do more simplistic, stripped down and classic movie fare. “Sting” has a different aesthetic, one that’s darker, and more human based and relies a lot on the human characters to deliver on spooks and gruesome gore.