Writer, Director Brooke H. Cellars Interview [Women in Horror Month 2024]

Meet Brooke H. Cellars, writer/director of Violet Butterfield: Makeup Artist of the Dead:

To start, please introduce yourself:
Hello hello hello! My name is Brooke H. Cellars, and I am a writer, director, producer, and editor of Warped Witch Cinema, an innovative female-led film production company. Since 2018, I have directed seven short films and one music video. My love for horror films dates back to my childhood; my father, a children’s book writer, instilled in me a passion for storytelling, particularly in the horror genre.

Let me start at the beginning and when I get to the end I’ll stop. I began with my first screenplay, which I adapted into a short film titled ‘The Chills’. It received the Best Screenplay award at the Houston Horror Fest in 2020. Our latest short film, ‘Violet Butterfield: Makeup Artist for the Dead’, has been showcased in over 30 film festivals worldwide, earning accolades such as Best Dark Comedy (LUSCA Film Festival), Best Director (Houston Horror Fest), and Best Production Design (Renegade Film Fest). It also received the Abby Normal Award at the Portland Horror Festival and was the overall winner at the Overlook Film Festival, winning both the Jury Award for Best Short Film and the Audience Favorite Award. ‘Violet Butterfield’ is now streaming on ALTER.
In addition to my creative endeavors, I’ve been actively involved in nurturing the filmmaking community in Lafayette, Louisiana. In 2021, I founded the Warped Witch Film Festival (formerly known as Southern Gothic), the first horror/genre film festival in my hometown. I’ve also curated events such as The Horrors of Being a Woman film showcase and the LGBTQ+ film festival, Pride Acadiana Queer Film Festival.
Although I didn’t have the opportunity to make my first film until I was 37, once I finally got a taste of filmmaking, I gripped it with my claws wholeheartedly and began to learn all the ropes of every position on a film set from special effects, to cinematography, lighting, sound, production design, the whole beautiful beast of it. I always knew I wanted to be a director and I believe a good director knows filmmaking in and out and over and then some. What initially felt like a surreal dream has become a wonderfully fulfilling reality, and I am fully in love with every aspect of it.
What is horror to you, what makes a work of art one in the horror genre? 

To me, horror encompasses a multitude of elements. It’s the dark, the macabre, the blood, the guts, the unease, the disturbing. Yet, I also perceive horror as beautiful, healing, cathartic, and comforting. It’s an intriguing genre that allows for connections with others in a manner where individuals who may not feel comfortable expressing certain thoughts outright can subtly reveal their darkness, knowing that others can observe and understand without judgment. Moreover, horror can be enjoyable, inducing laughter and providing entertainment and thrills. A ‘feel-good movie’ doesn’t necessarily need to star Ryan Gosling. (No shade, Ryan)

What made you want to work in horror?
I’ve always been drawn to horror and dark imagery, finding beauty and solace in them. Even as a child, when I wrote stories, it was always horror that captivated me, almost as if it were ingrained in my nature from an early age. In the 80s, when my siblings and I would rent tapes from the video store, I invariably gravitated towards horror movies. “Lost Boys” and “A Nightmare on Elm Street” were two of my favorites at the time. No one explicitly introduced me to horror; it was simply a part of who I was. I was the odd kid who embraced the strange and macabre, particularly in horror. While I watched a variety of movies growing up, it was “The Making of Michael Jackson’s Thriller” that truly inspired me to consider making my own horror film. We rented that documentary so frequently, and I was enthralled by the BTS footage, especially the practical special effects used for the werewolf transformation. ‘Can you feel it? Can you feel it? Can you feel it?’

Where do you get your inspiration?
I find inspiration in oh so many places. Foremost among them are a plethora of films. Recently, someone inquired why my films often resemble period pieces, and the reason lies in my deep affection for movies spanning the 1940s to the 1990s. Which is the cinematic landscape of my upbringing and the source of my artistic passion. When I’m initially writing a film, the imagery that materializes in my mind mirrors those older classics, shaping its visual as well.

Before delving into filmmaking, I explored various artistic mediums. Throughout my twenties and much of my thirties, I was in and out of college, waited tables, and pursued my desire to find my voice in my artistry. Entirely self-taught, I immersed myself in a multitude of disciplines, including jewelry making, clay sculpting (with a focus on crafting monsters), special effects makeup, fashion design, painting, drawing, photography, and writing. Each of these art forms contributes to my creative inspiration that I draw from in my work.

 

What would you like your legacy to be in the genre (or elsewhere)?
Ultimately, my aspiration is to leave a lasting impact on the film and horror genres by introducing something fresh and transformative. My passion is to live and create authentically, forging genuine connections with audiences through my art. I also aim to establish safe and inclusive spaces on set, where individuals feel empowered to showcase their talents and collaborate with fellow passionate creators. Through my work I want to champion authenticity and encourage others to embrace their true selves, fostering a sense of acceptance and belonging within the artistic community.  

What is Women in Horror Month to you and why is it still important this many years later?
Despite significant progress in the film industry, the reality persists: it remains predominantly male-dominated. Despite efforts to spotlight women in film, they continue to be overlooked and undervalued, even when deserving of celebration and acknowledgment. From my own journey into filmmaking, I’ve encountered consistent marginalization and suppression at the hands of male counterparts, including individuals I considered friends.

One glaring observation is the disparity in recognition and praise, particularly when it comes to highlighting cinematographers, editors, writers, directors, and other roles within the industry. Males are consistently prioritized and promoted over their female counterparts. It often feels as though, despite women having the right to pursue filmmaking, they are still perceived as less knowledgeable or skilled in the craft compared to their male counterparts. This pervasive bias is immensely frustrating.
In my community, for example, I can easily name numerous male cinematographers, whereas female cinematographers are a rarity, despite their existence. This discrepancy doesn’t stem from a lack of talent or presence but rather from a lack of visibility and acknowledgment. I am always excited to learn about and collaborate with talented female filmmakers, but they are often overlooked and sidelined simply because of their gender.
It’s more than crucial to shine a glittering spotlight on these overlooked female filmmakers and raise awareness about their contributions to the industry. They deserve recognition, support, and opportunities based on their merit, not their gender. My hope is to help amplify their voices and pave the way for greater inclusivity and equality within the film community. ‘Wanting people to listen, you can’t just tap them on the shoulder anymore. You have to hit them with a sledgehammer, and then you’ll notice you’ve got their strict attention.’
Who are some of the Women in Horror who you look up to and who do you want to bring attention to in your field or others?
Absolutely, countless women in the film industry deserve recognition for their talent, creativity, and contributions. (women in film, horror and beyond!) Vanessa Ionta Wright, Kei X,  Rozalyn Maddocks, Jennifer Pearl, Shannon Ford Chamlee, Izzy Lee, Sydney Horton, Wicken Taylor, Olivia Loccisano, Madeleine Yawn, Michelle Malentina, Monique Morton, Gwen Callahan, Julie Bordelon, Lara Hill, Conni Castille,Syd Horn, Olivia Perillo, Rachel Whittle, Kay Lynch, AK Espada, Sam Fox, Erin Day, Desiree Staples, Natasha Halevi, Rachel Nederveld…I could go on and on and on…These amazing women are out there hustling and making phenomenal shit happen. You should know who they are! I see you!

 

What are you currently working on that you can tell us about?
It’s an incredibly thrilling and nerve-wracking time for us at the moment! We’re currently in the midst of shooting our very first feature-length film titled ‘The Cramps: A Period Piece!’—a project close to our hearts, inspired by my personal journey with endometriosis. This dark, fantastical horror-comedy follows the story of Agnes Applewhite, a young woman who defies her mother’s wishes to work at a vibrant beauty salon. As she embarks on a journey of self-discovery, she grapples with the monstrous pains of The Cramps, blurring the lines between reality and nightmare.

Set in an ambiguous time period within a universe where anything is possible, ‘The Cramps: A Period Piece!’ is a playful and painful nod to the challenges faced by those with uteruses. Drawing from the aesthetics of our previous work, ‘Violet Butterfield,’ we’re excited to capture the essence of classic horror filmmaking on 16mm film once again. Expect an eclectic mix of wigs, makeup, drag, humor, and a generous dose of magical, weird, and period blood moments throughout the film.
Our Indiegogo campaign is scheduled to launch on Leap Day, February 29th! We’re dedicated to paying homage to classic horror while infusing our own unique spin to create something truly original. Stay updated on our progress by following us on social media or visiting our Indiegogo page! Join us on this wild ride as we bring ‘The Cramps: A Period Piece!’ to life.
@warpedwithcinema
@thecrampsfilm
@violetbutterfieldfilm

Violetbutterfieldfilm.com

Thank you for taking the time to do this, we greatly appreciate it. 

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