What begins as a botched job quickly unravels into a chaotic mix of action, comedy, and unlikely mentorship.
London Calling (2025) follows Tommy Ward, a mediocre hitman whose latest mistake forces him to flee England and carve out a survival in Los Angeles. Desperate to return home to his own son after a year, Tommy strikes a deal that pairs him with the awkward teenage son of his new crime boss. What should be a routine job becomes a bullet-riddled, explosion-fueled descent into mayhem, balancing violent spectacle with character-driven heart. Directed by Allan Ungar and co-written with Omer Levin Menekse and Quinn Wolfe, the film leans into familiar genre tropes but energizes them with humor and warmth. The story thrives on the odd-couple dynamic between a burned-out assassin and a bullied teenager, shifting from darkly comic hitman thriller to an unexpectedly touching exploration of fatherhood and identity. The script keeps the pace brisk, with gunfights, car chases, and high-stakes encounters breaking up moments of awkward bonding and reluctant mentorship. It embraces absurdity without losing sight of its emotional core.
The film stars Josh Duhamel as Tommy Ward, a wayward hitman whose life of crime has already cost him his family. Duhamel grounds the chaos in a performance that mixes rugged charm with desperation, making Tommy less of a cold-blooded killer and more of a man trying to redeem himself through someone else’s growth. His chemistry with Jeremy Ray Taylor provides the film’s beating heart.
Taylor shines as Julian, the crime boss’s nerdy and insecure son. A fan of LARPing and often the target of bullies, Julian embodies the trope of “nerdy to cool,” but the film treats his journey with sincerity rather than mockery. His transformation is not just about toughness, but about embracing self-worth, making him the underdog viewers want to root for. As the pair navigate chaos, Julian’s vulnerability and Tommy’s reluctant care create a partnership that transcends its transactional origins.
Visually, London Calling uses bright, warm colors to offset the violence, creating an aesthetic that emphasizes comedy over grit. Fight sequences are shot with kinetic energy, emphasizing spectacle while keeping the characters’ bond front and center. The opening recalls Eyes Wide Shut with its stylized, slightly surreal tone, only to pivot into action-comedy territory. This shift sets the tone for a film that thrives on contrast, danger mixed with levity, cynicism softened by heart. While the film never digs too deep into the moral consequences of crime or violence, it excels as a character-driven romp. Themes of fatherhood, masculinity, and the cost of living a double life echo beneath the explosions, making the narrative more than just a ride-along. The humor emerges not just from banter, but from situational absurdity: a teenager terrified of his own shadow being dragged through gunfights and assassinations, guided by a hitman barely holding his own life together. London Calling is about unlikely lifelines. A hitman chasing redemption and a nerdy teen seeking approval may not seem like natural allies, yet the film makes their bond feel authentic. Funny, fast-paced, and brimming with energy, it delivers the thrills of an action-comedy while sneaking in moments of warmth that elevate it beyond genre expectations.