Jackpot! (2024)

Now Available for Streaming on Amazon Prime.

Paul Feig’s “Jackpot!” is that horrible, malt-o-meal garbage movie meant mainly to be as edgy as possible without ever really intending to offend anyone. It disguises itself as social satire when really in the end it has zero to say. It’s just a flaccid hundred minutes drag through nonsense and emptiness. No one at any point in this movie seems to be mentally present, including John Cena who often looks a lot more like a walking action figure than anything else. With Feig’s premise you just assume you’d be in the market for a blood soaked science fiction film. At the very least, you’d expect a darkly comic if mean movie about greed and the way the economy has driven in to rabid dogs.

It’s actually a vanilla coming of age story with a premise that’s gradually pushed in to the background over the course of the narrative.

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Interview with Director Spencer Jamison, of “At Capacity”

Hello, Can you introduce yourself to our readers?
First, thank you for engaging with me and my work.

You’re welcome!

I am Spencer Jamison, a filmmaker born and raised in Richmond, VA. I am the writer, director, and lead of “At Capacity.” I started working professionally as an actor and singer in the theater and film/television as an undergraduate at James Madison University. At my core lives an inner child who found solace in Black sitcoms from the 90s, movie musicals, political action thrillers, and classic romantic comedies. My biggest hope is that the work I create inspires the same kind of wonder and encouragement I received from watching my favorite films, plays, musicals, songs, and television series.

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The Bootleg Files – The Challenge: A Tribute to Modern Art

BOOTLEG FILES 876: “The Challenge: A Tribute to Modern Art” (1974 Oscar-nominated documentary narrated by Orson Welles).

LAST SEEN:
On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There might be a right issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A re-release on DVD and Blu-ray is not likely at this time.

Question: How can anyone encapsulate the history of modern art in roughly 100 minutes? The answer: You cannot, although Herbert Kline gave it a spirited try with his 1974 documentary feature “The Challenge: A Tribute to Modern Art.” Perhaps the key word in the film’s title is “tribute” – as with any tribute, it provides a celebratory overview of achievement without plumbing the depth and scope of the subject with any great intensity.
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The Crow (2024)

I’ve heard of this certain technique Hollywood usually uses as a means of pulling a fast sequel; it’s by taking a script with a similar concept to an already established IP and turning it in to a sequel. “The Crow” feels a lot like that. It feels like a simultaneous cash grab, exploitation of the art of James O’Barr, and downright lazy attempt to maintain the license for “The Crow.” At thirty minutes in, I wondered if at any point anyone on this movie were even trying. At all. This is a non-move. It’s a movie without a presence, or any kind of a soul, or any kind of self awareness. “The Crow’s” only purpose is to gentrify what should have and could have been a touching, eerie, and heartbreaking movie.

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