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Monkey Business (1931)

While the majority of film scholars will hail “Duck Soup” and “A Night at the Opera” as the best of the Marx Brothers movies, my go-to Marx mayhem is their 1931 “Monkey Business.” Part of my devotion is emotional – this was the first Marx film I saw, back when I was around 10 years old and WNEW-TV Channel 5 in New York City would broadcast the film. And part of my devotion is intellectual – I genuinely believe it is the crazy siblings’ best film.
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What’s New, Pussycat? (1965)

During the 1960s, there was a flurry of all-star comedy films that tried too hard to be zany. “What’s New, Pussycat?” stands out in this genre for its freewheeling approach to sex – and while it often fails to maintain its frenetic pace, it has more than a few redeeming features to keep the viewer entertained.
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Every Bugs Bunny Ever: Bunker Hill Bunny (1950)

Editor’s Note: Cinema Crazed founder Felix Vasquez Jr. began the “Every Bugs Bunny Ever” series on January 3, 2023, with the goal of reviewing the cinematic output of the most popular star from the Warner Bros. animation studio. Felix passed away yesterday, and I will be inheriting the series and continuing with this weekly output in tribute to Felix’s legacy and his love for animated films.

Bunker Hill Bunny (1950)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Ken Champin, Virgil Ross and Arthur Davis
Music by Carl Stalling

“Bunker Hill Bunny” takes place during the American Revolution – specifically, the Battle of Bagle Heights. As battles go, this was on the small side, with the red-coated Hessian mercenary Sam von Scham (our old pal Yosemite Sam) taking on patriot Bugs Bunny. The rivals are in adjacent forts, with Sam firing multiple cannons at once from a might stone structure while Bugs shoots off a single cannon by reaching out of his hole-in-the-ground residence and pulling a string attached to the weapon.
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Monster Family (2017)

You could be forgiven for mistaking “Monster Family” as a part of the “Hotel Transylvania” movie universe, but I don’t think that’s unintentional. “Monster Family” bases itself on a lot of other better films for what amounts to such a flat affair. Despite its lively animation, everything about “Monster Family” is a messy, convoluted, and bizarre affair that never makes much sense, despite its attempts to bring itself down to Earth as a tale about family unity. Holger Tappe delivers what is just a sloppy, derivative mash-up of “Hotel Transylvania,” “The Incredibles” and “The Munsters.” And it’s never as fun as either of the aforementioned, even at its best.

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Bugs’ Nemesis Daffy: Daffy Duck’s Five Best Shorts

Yankee Doodle Daffy (1943)
One of my favorites as a child, this Daffy short was featured on a VHS compilation I watched often. This is, yet again, Daffy tormenting Porky Pig; Porky is a show business agent who goes on vacation and Daffy storms his house with his client Sleepy Lagoon, desperate to convince him to represent him. Despite Porky’s protests about not working, Daffy makes it painfully clear he’s not taking no for an answer. He soon begins chasing him around, stalking him, and even engaging him in a hilarious Carmen Miranda impression. With all the antics, the short ends on a high note with Sleepy fumbling his big solo for Porky. It’s a hilarious high note to end on. 
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Singapore Sue (1932)

This 1932 short film from Paramount was designed to highlight the musical comedy talents of Anna Chang and Joe Wong, vaudeville performers in search of a movie niche. Instead, the film unexpectedly launched the career of an unbilled actor who stole the show from the two stars.
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