Jackpot! (2024)

Now Available for Streaming on Amazon Prime.

Paul Feig’s “Jackpot!” is that horrible, malt-o-meal garbage movie meant mainly to be as edgy as possible without ever really intending to offend anyone. It disguises itself as social satire when really in the end it has zero to say. It’s just a flaccid hundred minutes drag through nonsense and emptiness. No one at any point in this movie seems to be mentally present, including John Cena who often looks a lot more like a walking action figure than anything else. With Feig’s premise you just assume you’d be in the market for a blood soaked science fiction film. At the very least, you’d expect a darkly comic if mean movie about greed and the way the economy has driven in to rabid dogs.

It’s actually a vanilla coming of age story with a premise that’s gradually pushed in to the background over the course of the narrative.

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Every Bugs Bunny Ever: Hillbilly Hare (1950)

Hillbilly Hare (1950)
Directed by Bob McKimson
Written by Michael Maltese
Animation by Rod Scribner
Music by Carl Stalling

Sorry we missed you last week, but I’ve been very ill as of late.

In either case, “Hillbilly Hare” further emphasizes the wonderful marriage between Looney Tunes and classic music, or in case it’s Southern music. “HillBilly Hare” isn’t anything particularly special, but it’s a great and very funny misadventure with Bugs mainly because of the wonderful musical direction. I dare say that I learned about square dancing because of “HillBilly Hare” and loved the way the short utilized it as a means of comedy. While this certainly the first comedy to take square dancing and use it as a comedy plot point or running gag, “HillBilly Hare” is just so great about.

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At Capacity (2024)

I admit I was a bit skeptical about approaching “At Capacity” because a lot of these films always feels so cynical, Thankfully, Spencer Jamison is so talented she lends a fresh gloss to a tired formula. Having had its world premiere at the LA Shorts International Film Festival, “At Capacity” is an entertaining and intelligent romance comedy about serendipity and salvaging good out of what might seem irreversibly bad.

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The Night is Young (2024) [Popcorn Frights 2024]

It’s not many movies that begin feeling like some kind of goofy fun romantic comedy and transforms in to a war concerning vampires. Patrick Rea is up for the challenge of delivering on a movie with a firm tongue in cheek that’s mostly viewed through the lens of a modern video camera. I’m not too sure how vampires appear on screen but that’s for the artist to decide on terms when it comes to on screen vampires. “The Night Is Young” is a pretty good mixing of genres and sub-genres, centering itself on a woman who is on the hunt for a new girlfriend.

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American Daydream (2024)

Where is the American dream bred? In the heart or in the head? Director-Writer Ziyu Luo’s “American Daydream” is a classic ode to the idea of the American dream and our pursuit of it. Is the “American Dream” an unreachable goal, or something that we each have within us, personally? Recently having its world premiere at the HollyShorts Film Festival, “American Daydream” is a brilliant beautiful short drama comedy that explores ideas about immigration, assimilation and Americanization.

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