The visceral raw energy and violence of Gabriel Carrer and Reese Eveneshen’s “For the sake of Vicious” is bound to be compared to the masterpieces like “The Green Room” very soon. The set up at least conjures up memories of “Assault on Precinct 13” except in a smaller scale. In either case, it’s a classic white knuckle home invasion siege thriller that spares no one, even when it successfully builds on empathetic and fascinating protagonists.
Tag Archives: Horror
I Am Lisa (2020) [FrightFest 2020]
Following a brutal beating, Lisa is left for dead nearby her town by her assailants. While in these woods, Lisa encounters something else and comes out of her ordeal with interesting side effects.
The Babysitter: Killer Queen (2020)
I am one of the folks that loved McG’s 2018 horror comedy “The Babysitter.” It was a weird, gory, and funny horror comedy with an excellent cast, including Samara Weaving, who could take any role and turn it in to gold. When I heard of the sequel coming up shortly after, I was skeptical, if only because there didn’t seem to be anywhere else to go. Oddly enough the writers go in a completely new direction and for the most part it’s a raucous and fun follow up.
The Curse of Audrey Earnshaw (2020) [Fantasia Fest 2020]
In small, rural village where nothing is growing and people are dying, a woman has her crops thriving and seems to be doing great, so her village’s population deems her to be a witch. While she is hiding an important secret, it may not be what the villagers are expecting.
Detention (2019) [Fantasia Fest 2020]
Set in Taiwan in 1962, a period known as the White Terror, Detention takes place in and around a school and its among its student and staff as they are encouraged to turn anyone who may be against the current power in. A group of students and young teachers meets up to discuss banned books and other materials. As they try to stay hidden and survive, something not quite usual starts happening.
Lucky (2020) [Fantasia Fest 2020]
A woman finds herself the target of an intruder/stalker and when no one will believe her about the gravity of the situation, she is forced to figure a way out for herself.
Alone (2020) [Fantasia Fest 2020]
John Hyams’ “Alone” begins kind of sketchy. In fact I spent the first fifteen minutes not quite sure where the screenplay was going, if anywhere. But sticking with it, I’m glad to discover that “Alone” is one of the best and most exciting thrillers of the year. While it does get off to kind of a sputter, it transforms in to a journey of self discovery and evolution for a woman who is shambles when we first meet her. By the end, she has to figure out if she can keep charging head first in to the world, or if she wants to recede back in to the night.