post

The Bootleg Files: The Bottom Line

BOOTLEG FILES 786: “The Bottom Line” (1975 corporate promotional film for Mobil starring Bill Cullen).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Unlikely.

Corporate sponsored films have been part of the motion picture experience since the silent movies, but most people have never seen the works of this genre – if only because they were never intended to be seen by the general public. These works were company-specific endeavors designed to train and invigorate employees on doing a better job and, not surprisingly, many of these offerings were not particularly entertaining.
Continue reading

post

From SNL to the Big Screen

For every Bill Murray and Will Ferrell who made the successful transition from “Saturday Night Live” to big-screen acclaim, there were more who either never made the jump or had a spurt of movie stardom before petering out. ArmchairCinema.com’s Jerry Dean Roberts returns to the “Online Movie Show” podcast to discuss why some SNL comics became movie stars and others didn’t.

The episode can be heard here.

post

The Bootleg Files: Paradise in Harlem

BOOTLEG FILES 785: “Paradise in Harlem” (1939 all-Black feature).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
On public domain labels.

REASON FOR BOOTLEG STATUS: An absence of a copyright dooms the film to endless public domain duping.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

From the 1910s through the late 1940s, there was a distinctive cinema geared exclusively to Black American audiences. These films starred all-Black casts and were distributed only to theaters in predominantly Black neighborhoods.
Continue reading

post

The Films of Richard Pryor: A Second Look

Richard Pryor is widely regarded as the greatest stand-up comic, yet his film output was erratic and he often showed himself to be a better dramatic actor than a movie funnyman. On this episode of “The Online Movie Show,” ArmchairCinema.com’s Jerry Dean Roberts discusses Pryor’s strange but often invigorating film career.

The episode can be heard here.