The Bootleg Files: Hot Dogs for Gauguin

Posted on May 3, 2024 by Phil Hall

BOOTLEG FILES 864: “Hot Dogs for Gauguin” (1972 student film short by Martin Brest starring Danny DeVito).

LAST SEEN: On the OK.ru website.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: An obscure film that fell through the cinematic cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

At the risk of being cruel, it needs to be acknowledged that the overwhelming majority of student films represent a victory of enthusiasm over talent. But that’s not to say the genre lacks gems – Denis Sanders’ “A Time Out of War” (1954) won the Academy Award, while George Lucas’ career has its roots in his 1967 “Electronic Labyrinth: THX 1138 4EB.” Martin Brest is also credited with hatching one of the best student films of all time, the 1972 “Hot Dogs for Gauguin,” which he made while at New York University – that film wound up on the National Film Registry, one of the very few student films to earn such an honor.
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The Bootleg Files: Room to Let

Posted on April 26, 2024 by Phil Hall

BOOTLEG FILES 863: “Room to Let” (1950 British drama inspired by the Jack the Ripper murders).

LAST SEEN: We cannot confirm the last presentation of this film.

AMERICAN HOME VIDEO: On a collector-to-collector label.

REASON FOR BOOTLEG STATUS: An obscure film that fell through the cinematic cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Unless you are a scholar of either the Hammer Film Productions canon or cinematic endeavors inspired by the Jack the Ripper crimes, there is an excellent chance that you never heard of the 1950 British film “Room to Let.” And that would be a great shame, because “Room to Let” might be the greatest film you never saw.

In concept, there was little in “Room to Let” to inspire greatness. With a 68-minute running time, the film was never intended to be more than the lower half of a double feature bill in British cinemas. The film’s director, Godfrey Grayson, was not responsible for any work that could be mistaken for a classic. And the film covers territory that was previously plumbed in critically and commercially successful works by Alfred Hitchcock with “The Lodger” in 1927 and John Brahm with “The Lodger” in 1944.
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The Bootleg Files: Our Town

Posted on April 19, 2024 by Phil Hall

BOOTLEG FILES 862: “Our Town” (1955 television musical production starring Frank Sinatra, Paul Newman and Eva Marie Saint).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It’s complicated.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

One of the most prestigious and ambitious series in the history of American television was “Producers’ Showcase,” which ran from 1954 to 1957 and offered live 90-minute plays starring A-list talent. The series aired every fourth Monday of the month and a total of 37 episodes were created.
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The Bootleg Files: Follies

Posted on April 12, 2024 by Phil Hall

BOOTLEG FILES 861: “Follies” (fan film recreation of the legendary 1971 Broadway musical).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: An unauthorized presentation of inconsistent quality.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

When the Stephen Sondheim musical “Follies” opened on Broadway in April 1971, the show’s co-director Harold Prince was sowing the seeds of a potential film version featuring some of Hollywood’s greatest stars. John Springer, who handled the publicity for the Broadway show, would later claim that a minor miracle was achieved when Bette Davis and Joan Crawford agreed to be in the film – albeit without being in the same scene; Springer also insisted Gloria Swanson, Elizabeth Taylor and Richard Burton expressed interest in being part of the cast.
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The Bootleg Files: The Lodger, aka The Phantom Fiend

Posted on April 5, 2024 by Phil Hall

BOOTLEG FILES 860: “The Lodger,” also known as “The Phantom Fiend” (1932 thriller starring Ivor Novello and Elizabeth Allan).

LAST SEEN: On several online video sites.

AMERICAN HOME VIDEO: On public domain labels.

REASON FOR BOOTLEG STATUS: A lapsed copyright in the United States.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely as a fully restored production.

During the 1920s, the British film industry was a mostly uninspired environment that failed to match the Hollywood film machine or the silver screen output from France, Germany and the Soviet Union in terms of artistry and commercial appeal. That situation shifted somewhat with the 1927 release of “The Lodger,” an adaptation of Marie Belloc Lowndes’ thriller inspired by the Jack the Ripper murders. Under the direction of the then-unknown Alfred Hitchcock, “The Lodger” was a visually imaginative study in fear and paranoia – and much of its appeal at the time was the against-type casting of matinee idol Ivor Novello as a mysterious figure suspected of being a serial killer.
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The Bootleg Files: Luno

Posted on March 29, 2024 by Phil Hall

BOOTLEG FILES 859: “Luno” (1963-1965 series of theatrical and television animated shorts).

LAST SEEN: Some of the shorts are on YouTube.

AMERICAN HOME VIDEO: A few shorts turned up on VHS video.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

You never know what you’ll find on Facebook. The other day, while scrolling through the site I came across a couple of a screenshots from an old cartoon that I didn’t immediately recognize. After reading the captions for the screenshot, I vaguely recalled the production being featured. I looked up the titles and found them on YouTube – and then, I remembered viewing these works during my childhood in the early 1970s.

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The Bootleg Files: Gentlemen Marry Brunettes

Posted on March 22, 2024 by Phil Hall

BOOTLEG FILES 858: “Gentlemen Marry Brunettes” (1955 musical starring Jane Russell and Jeanne Craig).

LAST SEEN: On YouTube and DailyMotion.com.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Most likely because of music rights clearance problems.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Despite its similar title, the vaguely identical plot involving two American showgirls in Paris and the presence of Jane Russell, the 1955 “Gentlemen Marry Brunettes” is not a sequel to the 1953 “Gentlemen Prefer Blondes.” Yes, the source material – Anita Loos’ 1927 novel “But Gentlemen Marry Brunettes” – is a sequel to her 1925 “Gentlemen Prefer Blondes,” but the film does not use the plot of the Loos book.

Indeed, the two films should not be mentioned in the same breath. “Gentlemen Prefer Blondes” is one of the greatest musical comedies of all time – a witty, stylish, rollicking classic that offered Russell and Marilyn Monroe their best screen roles. “Gentlemen Marry Brunettes” doesn’t come close to the first production’s greatness at any level.
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