Archetypes for Writers: Using the Power of Your Subconscious [Paperback]

I wish “Archetypes for Writers” could have been a much better book, instructive it may be. For all its interesting tidbits about getting to understand your character, and stripping down their personalities, it also manages to truly delve into endless exposition into Arkelogy, and archetypes, and constructing practices about archetypes, and the like.

And it also manages to state the obvious. The writer knows the characters more than most people. Doy. A writer’s characters are combinations of the writer’s personality, fears, desires, and inhibitions. Thanks for reminding me. I seriously didn’t understand that. But Van Bergen’s aspirations are fascinating. She’s not only seeking to explore the notion of archetypes, but she also hopes to help the writer use this pit fall to their advantage, while re-defining the concept of archetypes and help their writing flourish.

Continue reading

Comfort and Joi [Paperback]

ComfortA dissection of film theaters which are compared to airport terminals, general disillusionment with movie-going and how the magic is gone, musings on pop culture and lack thereof, the disappearance of our pop culture traditions that spawned a generation of well cultured masses.  All in one-hundred and thirty pages? How is that accomplished? In one utterly engrossing passage, Dougherty riffs on how directing and making a film, which was once such a demanding task, is now reduced to a mere mundane ability thanks to technology. Author Dougherty makes two things clear during this novel; that Joi was both an actress with great potential who never reached the upper echelons of Hollywood royalty she had the potential to reach due to circumstances that were both beyond her control and due to her own behavior, and she was very beautiful.

Continue reading

George Romero's "Resident Evil": The Script For the Movie we Never Saw

For those of you non- horror movie geeks and none “Resident Evil” fans; back when the “Resident Evil” movie was in the works, the studios recruited horror legend George Romero to write and direct the movie. He then created a script that was rejected by the Hollywood fat-cats because it was too violent and too scary. So he was fired from the project and the studios made the movie more watchable and watered down to appeal to the teenage male audience. So, after firing him they enlisted action director Paul Anderson (Mortal Kombat) to re-write the script and water down the movie. The movie wasn’t as good as audiences guessed it would be, and when fans discovered this crime, they instantly protested. Though, George Romero’s vision was never given to the American audience, his script still lives on in the internet.

Continue reading