Hollywood has an erratic history of adapting Tennessee Williams’ provocative dramas to the big screen. On this episode of “The Online Movie Show,” actor/writer Kevin Dolan offers an invigorating insight on the film classics and flops based on the Williams canon.
Director-Writer Brian Metcalf brings with him a strong crime drama that he hands over to a wonderfully seasoned cast of character actors. While a movie like “Adverse” could have stumbled right out of the gate, it manages to only improve by the time the movie has closed and ends as a sharp crime thriller. It’s a bold mix of “Taxi Driver,” and “Drive,” with a nigh unrecognizable Thomas Ian Nicholas staring.
The day The Smiths separate, a group of teens find themselves lost, more than usual, in this mystery called life. In a misguided attempt at showing the world what he believes in and what has saved him, one of them takes a heavy metal station DJ hostage.
Full Disclosure: Amazon Studios gave us access to the first three episodes of “Invincible.” Please read with discretion.
I missed the boat when Invincible had its run in Image Comics, and I regret it, especially as a fan of “The Walking Dead.” Robert Kirkman is one of the group of Image comics heavyweights who manages to offer up his own superhero tale, but it’s given a massive twist that’s both bold and insanely violent. Taking the animated route this time out, producers Seth Rogen and Evan Goldberg help realize Kirkman’s epic “Invincible” for the small screen, sticking true to many of the comics original storylines, and unfolding what is a unique, exciting, albeit imperfect at times, saga.
A real estate agent meets a woman in the worst circumstances she could possibly be in. With some coaxing, they both travel to Los Angeles so that she can take revenge on those who have put here where she was when he found her.
10 years after a girl lost her parents and became the charge of her paternal grandfather, her maternal grandparents show up and demand to get custody of her as she lives on an island with her grandfather and her dolphin, something they consider to be less-than and want to fix asap, no matter what it takes.
Director William Lustig’s “Vigilante” is a lot like “Death Wish” on steroids. It’s a bonafide mix of a prison movie, it’s a drama about PTSD, a parable about political corruption, and a surefire revenge thriller to the very end. While the aforementioned ends on a twisted note, “Vigilante” is something of a contradiction. It seems to celebrate the idea of vigilante justice and revenge, but it ends on such a low, bleak note where our hero gets his vindication but literally has nothing left in his life.