Stop me if this sounds familiar. An organized crew aboard an intergalactic vessel travels to a far off world to check in on its inhabitants. Communication is made, and a mysterious threat entices the crew to come down to the planet and investigate. The crew comes into contact with science and fantasy far beyond their initial comprehension. By the end of their adventure the audience experiences a romantic entanglement, a unique monster, and a plot focusing on the dangers of one’s own hubris.
Does this sound like an installment in Gene Roddenberry’s sci-fi staple, Star Trek? Because it’s 1956’s Forbidden Planet. It dropped a whole decade before Captain Kirk and Spock would become legends within the sci-fi genre, and it definitely paved the way. There’s no William Shatner to be seen. Viewers are instead treated to a more serious Leslie Nielsen who portrays John J. Adams, Commander of the Starship C-57D. His mission is to check in on the settlers of the planet Altair IV. Their ship is maintained and operated much like a submarine, with the appearance of a classic flying saucer. A blend of 50’s tech and retro-futuristic charm that culminates into pure eye candy.
Filmed in Cinemascope, Forbidden Planet holds up visually on modern televisions. Shot using Eastman Color turned out to be a fantastic choice, as every vibrant detail is beautifully displayed. Whether it’s the painted backdrop of Altiar IV, or the colorful blast from an energy weapon, everything has an eye-catching look to it. This film was given a budget, and the money was well spent.
One focal point that stands out beyond all others in Forbidden Planet is its very own Robby the Robot, the dry and sometimes snarky assistant to the family living on the alien planet. Thanks again to Eastman Color, Robby catches your attention with every word as his mouth glows with blue neon. This trait is sadly lost in future Robby the Robot outings, as he was often utilized in black and white television shows as an expensive prop MGM wanted to continue to profit off of. In regards to the film, Robby is portrayed as a hostile threat on Forbidden Planet’s poster despite being helpful to both his family, and Captain Adams’ crew. His imposing presence pulled curious audiences into theaters, where they found something more lovable than horrific.
While Robby steals the show whenever he shows up, he’s not the only spectacle to behold. Within Altair IV is a labyrinthine structure that greatly surpasses anything seen in any movie prior. Beyond a fantastic robot and impressive set structures is the representation of an invisible monster who surely amazed audiences of 1956. His footsteps are seen in the dirt, and only when severely electrocuted do we get to see its rough shape. With a man versus monster fight scene on par with such things as The 7th Voyage of Sinbad, or perhaps Clash of the Titans, it’s a crime that Forbidden Planet’s action sequences aren’t brought up more often.
The story itself is fairly melodramatic at first when we’re introduced to Altaira, played by the lovely Anne Francis, the only woman on Altair IV. With a dated premise of a lonely damsel, the only woman on the planet, waiting to be won over by any number of mysterious military men who might be able to whisk her away back to Earth, the story sways away from romance and delivers something more on par with lust. The kind of lust our grandparents thought was courting, but would get you a phone call from HR if done on the job today.
The main story focuses on the exploits of the scientist Morbius, Altaira’s father. A far cry from Jared Leto’s Marvel outing, Forbidden Planet’s Morbius has a fascination with Altair IV and the alien technology left behind from its previous inhabitants, the Krell. After his colonists were killed by “unseen forces”, Morbius was left alone with his daughter, Robby, and all the time in the galaxy to tinker with Krell technology.
Morbius and Adams’ crew come to odds after several crew men hit on his daughter, and an “unseen force” sabotages the C-57D which prevents anyone from leaving. Will anyone win the affection of Altaira? Will Adams’ crew meet the same fate as the missing colonists? Will mutiny break out if Altaira chooses Adams over his men? Is there a hidden threat looming around the Krell technology? Tensions rise in retro sci-fi fashion and sit somewhere between Shakespeare and Firefly in terms of subject matter and tone. Forbidden Planet delivers enough action, mystery, and “romance”, to entertain every member of a modern audience, despite its age.
On a final note, it has to be said that the audio within Forbidden Planet is a cacophony of quintessential “sci-fi noise”. Beeps, whirs, wobbles and electronic screeching are all on full display. And, while occasionally teetering on distracting, it somehow feels just right. Everything about Forbidden Planet is the perfect example of 1950’s story telling, their whimsical outlook at a far off future, and a testament to the efforts of those who loved their craft.
If you’ve ever enjoyed old movies and somehow missed this genre piece that created the blueprint for all future science fiction outings that came after it, you have to do yourself a favor and watch Forbidden Planet at least once in your life. If for no reason other than a serious Leslie Nielsen, or to see where Robby the Robot got his pop-culture start. Either is more than good enough of a reason to embrace this 1950’s gem, but it’ll deliver more.