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The Bootleg Files: The Flintstones on Ice

BOOTLEG FILES 931: “The Flintstones on Ice” (1973 television special mixing the Bedrock bunch with ice dancing).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS:
Who knows?

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope, sorry.

Back when I was a kid in the 1970s (yes, I am that old), the only time that ice skating appeared on television was during the Winter Olympics or in an occasional special anchored on an ice dancing spectacular production. In 1973, the Hanna-Barbera fun factory licensed their Flintstones characters for a one-shot ice skating special. The resulting work was among the most bewildering but strangely entertaining specials to air on 1970s television.
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The Bootleg Files: Orson Welles at the Magic Castle

BOOTLEG FILES 930: “Orson Welles at the Magic Castle” (1978 television special starring the Big O).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: The production was considered lost for many years, and its return came via an unauthorized upload.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not unless a restored copy is produced.

Orson Welles is the ultimate gift that keeps on giving. Since his passing in October 1985, a steady stream of long-lost and hitherto-unknown works directed by or involving this extraordinary talent have emerged, offering new insight into his colorful and often erratic output.
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The Bootleg Files: Swabbies

BOOTLEG FILES 929: “Swabbies” (canceled Disney animated short that survives as an animatic video).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: This was never meant to be seen publicly.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

The history of the Walt Disney Company is littered with projects that were aborted in various stages of concept and execution. Some of these canceled projects could have been truly fascinating, such as a feature-length animated film based on “Don Quixote.” Other pulled-plug endeavors would have been more than a little peculiar, such as an animated version of “The Catcher in the Rye” with an all-canine cast.
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The Bootleg Files: A Streetcar Named Desire

BOOTLEG FILES 928: “A Streetcar Named Desire” (1984 made-for-television film starring Ann-Margret and Treat Williams).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
As a VHS video release only.

REASON FOR BOOTLEG STATUS: I have no idea why this is out of circulation.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nothing on the immediate horizon.

Remaking a classic film is always a thankless task, for nine times out of ten the remake is a pallid shadow that is eons removed from the artistry that made the original a beloved work. During the 1970s and 1980s there were plenty of misguided small-screen remakes of big-screen classics. Even the presence of genuine talent in those made-for television remakes couldn’t save them from being weak carbon copies – think of the 1972 “The Man Who Came to Dinner” with Orson Welles and Joan Collins, or the 1974 “Brief Encounter” with Richard Burton and Sophia Loren, or the 1976 “Dark Victory” with Elizabeth Montgomery and Anthony Hopkins, or the 1986 “Stagecoach” with Johnny Cash, Kris Kristofferson, and Willie Nelson.
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The Bootleg Files: Uncle Walt

BOOTLEG FILES 927: “Uncle Walt” (1964 student film that was unavailable for many years).

LAST SEEN: On YouTube and Internet Archive.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: A student film made without the clearance of the rights owners of the original classic.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

One of the sad truths of locating films that are either lost or have been otherwise unavailable for decades is that the discovered titles are often far less interesting than the mystique that surrounded them during their absence from view.
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The Bootleg Files: Metropolis 2027

BOOTLEG FILES 926: “Metropolis 2027” (Fritz Lang’s 1927 science fiction classic, updated with color and a dialogue track).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS:
A fan film made without the clearance of the rights owners of the original classic.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nein.

The other day, I received an email from a person named Garrett Guynn, who reminded me that I wrote a Bootleg Files review in September 2019 of “MetropolisRemix,” which took Fritz Lang’s 1927 silent black-and-white classic and reimagined it as a color film with spoken dialogue. Mr. Guynn included a link to my review, which was helpful because I had no memory of his film. And when I reread my review, I could only vaguely recall the production.
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The Bootleg Files: A Salute to Stan Laurel

BOOTLEG FILES 925: “A Salute to Stan Laurel” (1965 TV special with an all-star cast).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS:
Not cleared for home entertainment release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Doesn’t seem likely at the moment.

You may be wondering why there is a photo of Fred Gwynne’s Herman Munster on top of an article about “A Salute to Stan Laurel.” After all, “The Munsters” share no common ground with Stan Laurel, either as a solo performer or in his teamwork with Oliver Hardy. However, the inclusion of Herman Munster – playing a violin, no less – in a celebration of Stan Laurel is typical of the incoherent nature of this bizarre production, which arguably deserves to be considered on any list of the worst television specials of all time.
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