In Theaters and Digital/On Demand on June 21st, 2024
An American woman living in the UK in a mansion finds herself doubting her sanity after another woman is murdered on the road to her mansion.
In Theaters and Digital/On Demand on June 21st, 2024
An American woman living in the UK in a mansion finds herself doubting her sanity after another woman is murdered on the road to her mansion.
Now Available from Criterion Collection.
My first experience with David Lynch was with “Mulholland Dr.,” a film that is far and away breath taking but also difficult to decode. After trying to find an explanation for it someone told me that it was only one of his easiest to access. But I like to think that it’s “Blue Velvet.” Lynch’s 1986 Neo Noir is a nightmarish fever dream in to the American dream. Lynch paints a portrait of two mirror worlds, one with the perfect Norman Rockwellian picket fences and women with babies on their shoulders. The other America is a bleak and violent Wonderland where deviants and criminals lurk in every corner waiting to prey on the weak.
Which Is Witch (1949)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Arthur Davis
Music by Carl Stalling
Like “All This and Rabbit Stew” and “Nips the Nips,” this one is strictly for hardcore Bugs Bunny completists. It’s not that “Which is Witch” is so unabashedly racist and filled with racial stereotypes. It’s that it’s so painfully unfunny. Even at his worst director Friz Freleng can pull out a few chuckles here and there, but “Which is Witch” trades good solid laughs and prime comedy in order to once again punch down and turn a gross racist caricature in for Bugs Bunny to use as a source of utter humiliation. When Cartoon Network was a big name in the animation medium, the network would hold annual weekend long marathons of Bugs Bunny shorts titled “June Bugs.”
For our readers, please introduce yourself.
Hello readers, my name is Jethro Waters and I’m the writer and director of the feature film Gunfighter Paradise. I was born in Austin, Texas, moved to North Carolina at the age of 11, and I now live and work in Manhattan. I know where to find the best grits & Red-eye gravy in The South, and I also know where to find the best bagels in NYC. There is a chameleon named Elvis who lives among the plants in my apartment window (seriously) and he’s probably got the best view of any chameleon living in the city.
The new standard for horror entertainment has become the lo-fi, filmed on VCR fodder that had lent something of a realism to even the more outlandish premises. The aesthetic has been used in a lot of facets of horror in the last eight years, including horror movies. The classic ARG aesthetic just works and it works well for the short from skilled animator and concept artist Vivien Forsans entitled “Bedroom People.”
Now Available from Warner Home Entertainment.
“Welcome Back Kotter” is mainly known as the launch pad for John Travolta’s huge career beginnings, but on its own it’s a solid sitcom. “Welcome Back Kotter” garners a fun premise teeming with so much comedic cache, and it’s remained immortal thanks to John Sebastian’s theme “Welcome Back.” Sebastian who spent most of his career in the band Loving Spoonful delivers on a theme that sets the stage for the series quite well and is definitely catchy enough to where you’ll hum along to it on occasion. Comedian Gabriel Kaplan is a teacher who returns to New York to teach in an inner city school.
He’s an idealist tasked with teaching the special ed class which is taken up by local gang “The Sweathogs.” Kotter, being an ex-“Sweathog,” takes an interest in getting his students in the right track amounting to some hilarity.