Director Austin Kase’s short horror romance is a premise teeming with feature potential. I could have literally watched two hours of this back and forth between the two characters stuck in this tragic romance. “Hide Your Crazy” is a film very much in the vein of “My Demon Lover” channeling a lot of that late 1980’s camp and genre mixing amounting to some top tier entertainment all around.
30th Anniversary Re-Release of “The Crow” Coming to Theaters
With the “remake” of “The Crow” right around the corner with Bill Skarsgard, and the popularity of the original film about as big and marketable as ever, Cinemark is bringing director Alex Proyas’ The Crow back to theaters for the classic movie’s 30th anniversary as part of the “Scream Greats” label from Paramount Scares and Fangoria.
Fans that missed the original experience will be able to see The Crow up on the big screen at Cinemark theaters on two nights only:
May 29th & May 30th.
You Can Head over to Cinemark’s website to check local listings now.
“Adapted from the comic book saga of the same name, this action-packed thriller from director Alex Proyas (Dark City) features hypnotic style, dazzling visuals, and a soulful performance by the late Brandon Lee. Bonus content with the feature: Production designer Alex McDowell revisits the goth masterpiece, taking us on a deep dive covering all facets of designing the film.”
The Girl in the Trunk (2024)
Every Bugs Bunny Ever: The Grey Hounded Hare (1949)
The Grey Hounded Hare (1949)
Directed by Bob McKimson
Written by Warren Foster
Animation by John Carey
Music by Carl Stalling
“The Grey Hounded Hare” is one of those shorts that always played in the very middle of marathons on cable TV and it almost always made great background noise. That’s mainly because “The Grey Hounded Hare” isn’t really anything to write home about. When it comes to Bugs Bunny he’s done better, and the writers have found better ways to utilize his ongoing feud with dogs. The short by Bob McKimson is pretty much the repetition that these shorts are known for but without not too many laughs. Sure it’s clever and it’s high energy, which is always a plus. But the whole concept just kind of feels stale and forced. That’s punctuated by the fact that the short has no real foil for Bugs Bunny.
Dune: Part Two (2024) [4K UHD/Digital]
Now Available from Warner Bros. Home Entertainment.
“Dune Part Two” is an infinitely superior film to the 2021 installment of “Dune” which, when all was said and done, felt more like a prologue than an actual narrative. While “Dune” was good, the second chapter to Denis Villeneuve’s adaptation feels so much more cohesive. Not to mention a lot of the concepts and ideas and so much less abstract and much easier to comprehend. There’s just so much more focus and laser beam direction this time out. While, again, “Dune” was good in its own right, I just had a much better time in how Villeneuve adopts the whole concept of “Dune” in the vein of “The Empire Strikes Back.”
In a Violent Nature (2024)
Exclusively In Theaters on May 31st from IFC Films.
When you’re a slasher movie buff as I have been for thirty years, you become convinced that you’ve seen it all. Every new kind of effect or aesthetic has been approached, all with varying degrees of success. So when a movie like “In a Violent Nature” comes around and changes your mind, it’s quite a special occasion. Chris Nash sets out to not only re-think the slasher movie, but deconstruct it, and succeeds with flying colors. He the best horror movie of the year, a nihilistic, gory, viciously mean slasher movie that’s also incredibly creepy, and downright haunting in its commentary about the unpredictability of nature.
Printer Head (2023)
Director Frances McIlvain’s short horror film turns the work environment in to a veritable hellscape, lensing his film very much in the vein of early David Lynch. Filmed through very murky black and white, “Printer Head” watches like an office drones bad dream and it never stops being a royal mind fuck.


