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The Bootleg Files: Broadway Open House

BOOTLEG FILES 888: “Broadway Open House” (1950-51 television series that pioneered the concept of late-night television).

LAST SEEN: Two extant episodes are online.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: A combination of music rights issues and a low survival rate of kinescoped episodes.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Probably not.

The other day, I was scanning through social media and I came upon a posting from a news organization with a headline that read something like “Jimmy Kimmel Rips Trump’s Economic Proposals” – and under the headline was a picture of the obnoxious late-night host squinting and scowling while he was reading his agitprop from a TelePrompter. My reaction to this was negative – really, who wants to end their day watching a painfully unfunny late-night host bloviating for the zillionth time about his hatred of Donald Trump? Then, another thought hit me. We all know where late-night television is today, with its emetic hosts spewing far-left political commentary before engaging in vapid faux-interviews with the current line-up of dreary talent. But I wanted to know where late-night television began and what yesteryear’s audiences enjoyed at the end of their days. The answer: it began in 1950 with a show called “Broadway Open House,” and the story of its rise and fall is nothing short of astonishing.
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The Bootleg Files: Let the Good Times Roll

BOOTLEG FILES 883: “Let the Good Times Roll” (1973 concert film featuring Chuck Berry, Little Richard and Bo Diddley).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Music rights clearance issues are a big obstacle.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

During the early 1970s, there was a wave of nostalgia for the music and pop culture of the late 1950s and early 1960s. The Broadway musical “Grease,” the movie “American Graffiti” and the sitcom “Happy Days” were the most prominent examples of this retro celebration of the era, while Sha Na Na kept the old tunes alive with their kinetic stage and television appearances, but a series of concerts dubbed “The Rock and Roll Revival” brought a number of the prominent music stars from that period to perform their old hits for admiring audiences.
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