High Diving Hare (1949)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Gerry Chiniqiuy
Music by Peter Burness

You wouldn’t think you could do much with a short that centered on almost nothing but gags of Yosemite Sam falling off a high dive, but you’d be wrong. While short on variety, “High Diving Hare” is a blast because it feels like a return to form. Like previous shorts, there’s a three act structure, a perfectly funny set up, and a lot of really funny gags between Yosemite Sam and Bugs Bunny. I remember watching this short a lot during the “Bugs Bunny and Tweey Show” back on Saturday mornings but with a lot of the opening set up cut out to fit commercials. While the opening set up to the ensuing mayhem isn’t detrimental to enjoying the entire short, it does give the whole concept a lot of context,

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Rebel Rabbit (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ben Washam
Music by Carl W. Stalling

This is probably the most unhinged I’ve ever seen Bugs Bunny and probably the closest that he’s ever come to transforming in to a super villain of a sorts.

Like previous exploits Bugs Bunny tends to be a victim of his own ego, which is something that’s often overlooked in future shorts. In “Rebel Rabbit,” he’s not so much battling a predator as he is, well, having a virtual mental breakdown on screen. Sadly none of it is really all that funny. Save for some sharp animation, “Rebel Rabbit” has no structure or much of a three act narrative to begin with. It’s basically just a string of skits with Bugs Bunny wreaking untold havoc on various states and ecolosystems all for the simple fact that he’s not deemed too worthy by the US Government.

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Mississippi Hare (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ben Washam
Music by Carl W. Stalling

“Mississippi Hare” is so problematic in the first twenty seconds that you have to constantly remind yourself of the context upon which this short was produced. There’s so much cringe inducing material that sets up the general premise for “Mississippi Hare” that it actively destroys any momentum it tries to pick up. And it’s not that the whole set up is extreme, it’s just that it’s so of its time, that I can imagine this short only ever appearing on Beta and VHS compilations in the eighties and nineties. Those VHS compilations often included shorts like this without editing anything out.

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Hare Do (1949)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Gerry Chiniquy
Music by Carl W. Stalling

In my head canon, since Bugs, the Coyote and Road Runner are in the same universe, and they all shop from ACME. Their prices depend on whether their devices will work, so while Coyote is buying junk, Elmer Fudd ends up buying high priced machinery to hunt for potential prey. Hence the machine that he’s seen carrying in the opening of the short which can best be explained as some kind of radar for prey that also includes a screen for them. The machine does work, but Bugs ends up catching on way too early for Elmer’s liking. I know, I know, Elmer points to it as “Awmy Surpwuss!” but who’s to say ACME doesn’t have that kind of department for hunters and predators?

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My Bunny Lies Over the Sea (1948)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ken Harris
Music by Carl W. Stalling

The only thing more annoying than recycling the same gags is essentially recycling the same old villains. That is especially when they were so good in the previous shorts. And I don’t mean just featuring dogs over and over, as they’re a common predator, so it makes considerable sense. But more in the unnecessary recycling of one of Bugs’ banner villains is what kind of grinds my gears. “My Bunny Lies Over the Sea” is a pretty good Bugs Bunny short, and one that has a good time lampooning the Scottish culture. But once we meet his nemesis, it becomes apparent that the writers are basically just giving it the bare minimum.

So, Bugs meets a red haired, short, angry man with a hot temper, a funny accent, and who is prone to lashing out at Bugs quite often. You might think I’m discussing Yosemite Sam, but no. I’m talking about Angus MacRory.

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A-Lad-In His Lamp (1948)
Directed by Bob McKimson
Written by Warren Foster
Animation by Charles McKimson
Music by Carl W. Stalling

This short from Bob McKimson holds significance on two levels.

The one being that it is apparently quite controversial for its depiction of middle Easterners. While I am not middle Eastern, I could understand why this short strikes a nerve today, as the middle East is depicted as nothing more than a lot of men that wield swords and solve everything with violence. Meanwhile the women are all mainly just harems and sex objects. It was apparently protested by late DJ Casey Kasem who hated the depiction of middle Easterners, and I can understand why that’d be troublesome. It’s a trope that Bugs Bunny’s shorts would continue with a lot of shorts set in the middle East or Asian communities.

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