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Every Bugs Bunny Ever: The Bugs Bunny Mystery Special (1980)

In this primetime television special, dimwitted law enforcement agent Elmer Fudd arrests Bugs Bunny for being the notorious bank robber known as the Tall Dark Stranger. Bugs goes to prison but aggravates corrections officer Yosemite Sam to the point that Sam kicks him out of the facility. Bugs is eager to clear his name, although he faces distracting detours from Wile E. Coyote (who attempts to capture and eat him) and Tweety and Sylvester (who engage in violent knockabout during a train ride where Bugs is a passenger).

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Every Bugs Bunny Ever: Person to Bunny (1960)

Person to Bunny (1960)
Directed by Friz Freleng
Story by Michael Maltese
Animation by Arthur Davis, Gerry Chiniquy, Virgil Ross, Harry Love
Music by Milt Franklyn

Bugs Bunny is being interviewed at his Hollywood home (a luxurious hole in the ground) on live television by Cedric R. Burrows for the “People to People” show (a spoof Edward R. Murrow and his series “Person to Person”). While the interview is in progress, Daffy Duck comes in and tries to make himself the center of attention. Bugs answers a question about Elmer Fudd with an insulting wisecrack – “His IQ is PU” – but Elmer is watching the broadcast and grabs his rifle, showing up at Bugs’ home. The broadcast devolves into chaos as Elmer winds up shooting Daffy, a quickly recovered Daffy does vaudeville-style dancing for the camera, and a rifle-toting Elmer chases Bugs out of his home.
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Every Bugs Bunny Ever: Pre-Hysterical Hare (1958)

Pre-Hysterical Hare (1958)
Directed by Robert McKimson
Story by Tedd Pierce
Animation by Ted Bonnicksen, Warren Batchelder, Tom Ray, George Grandpré
Music by John Seely

It’s rabbit season and Bugs Bunny tries to evade rifle-toting Elmer Fudd. Bugs balls into an underground cave with prehistoric wall paintings and a giant powder horn that serves as a time capsule from 10,000 BC, with instructions for an opening in 1960 AD. Bugs opens the powder horn and finds a reel of film. Bugs returns to his hole-in-the-ground residence and loads the film into a projector. The film opens with title credits announcing “A Micronesian Film Documentary in Breathtaking Cro-Magnonscope. Color by Neanderthal Color.” To Bugs’ surprise, the film focuses on his prehistoric ancestor, a saber-toothed rabbit, who is being pursued by the caveman Elmer Fuddstone.
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Every Bugs Bunny Ever: What’s Opera, Doc? (1957)

What’s Opera, Doc? (1957)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Ken Harris, Richard Thompson, Abe Levitow
Music by Richard Wagner, arranged by Milt Franklyn

There are many people who believe “What’s Opera, Doc?” is the greatest cartoon of all time. I am not one of them. That’s not say I hate the film – I don’t. But at the same time, I don’t share the opinion that this represents the apex of animation. In fact, I wouldn’t even list it in the top 20 of all Bugs Bunny cartoons.
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Every Bugs Bunny Ever: Wideo Wabbit (1956)

Wideo Wabbit (1956)
Directed by Robert McKimson
Story by Tedd Pierce
Music by Carl Stalling
Animation by Ted Bonnicksen, Keith Darling, Russ Dyson, George Grandpré

Bugs Bunny answers a newspaper advertisement seeking a rabbit to appear on-camera at QTTV-TV. Bugs shows up and is hired, unaware that his job is to be the prey in Elmer Fudd’s television program “The Sportsman’s Hour,” sponsored by The French Fried Fresh Frozen Rabbit Company. Bugs narrowly avoids being shot by Elmer on live television and escapes through the corridors of the television studio, disguising himself as various small-screen personalities before turning tables on his predator by tricking Elmer to dress as a rabbit. Bugs then dresses up like Elmer and shoots the rabbit-suited Elmer on television.
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Every Bugs Bunny Ever: Bugs’ Bonnets (1956)

Bugs’ Bonnets (1956)
Directed by Chuck Jones
Story by Tedd Pierce
Animation by Ken Harris, Abe Levitow, Ben Washam, Richard Thompson
Music by Milt Franklyn

The impact of clothing – specifically, headgear – on one’s personality is the focus of this Chuck Jones offering, which involves the contents of a truck carrying theatrical hats falling from the vehicle and on the unsuspecting noggins of Bugs Bunny and Elmer Fudd. With each new hat that lands on their head, Bugs and Elmer take on a variety of aggressive and passive personalities.
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