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Every Bugs Bunny Ever: Rabbit Fire (1951)

Rabbit Fire (1951)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Ken Harris, Phil Monroe, Lloyd Vaughan and Ben Washam
Music by Carl W. Stalling

In the realm of the Bugs Bunny cartoons, “Rabbit Fire” is both a blessing and a curse. The blessing, of course, is the film’s contents – a fast, inventive serving of classic dialogue and innovative visual comedy that resulted in an animated masterpiece. The curse, however, involved the same issues that make it a blessing. “Rabbit Fire” is so remarkable that it created a lightning-in-a-bottle moment that could never be repeated with the same level of style and substance. And Lord knows the Termite Terrace gang tried endlessly to duplicate its brilliance, with results that ranged from almost perfect to dreadful.
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Every Bugs Bunny Ever: Rabbit of Seville (1950)

Rabbit of Seville (1950)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Phil Monroe, Ben Washam, Lloyd Vaughan, Ken Harris, Emery Hawkins
Music by Carl Stalling

In my humble opinion, the 1950 “Rabbit of Seville” represents the apex of the Bugs Bunny animated shorts. The film is both laugh-out-loud hilarious and an artistic triumph that creates a slapstick masterpiece on the foundation of symphonic greatness – in this case, the overture to Rossini’s opera “The Barber of Seville.”
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The Bootleg Files: Hare-Breadth Hurry

BOOTLEG FILES 656: “Hare-Breadth Hurry” (1963 animated short with Bugs Bunny and Wile E. Coyote).

LAST SEEN: On DailyMotion.com.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It seems to have fallen through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It’s not a priority.

I wasn’t expecting to do another Bugs Bunny-related column after covering “Rabbit Every Monday” a few weeks ago, but I stumbled over the 1963 “Hare-Breadth Hurry” by accident and felt that this deserves a second look.
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The Bootleg Files: Inki and the Lion

BOOTLEG FILES 631: “Inki and the Lion” (1941 animated short by Chuck Jones).

LAST SEEN: On DailyMotion.com.

AMERICAN HOME VIDEO: VHS and LaserDisc only.

REASON FOR BOOTLEG STATUS: It is not politically correct.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Everybody knows about the notorious Censored Eleven animated shorts produced by Warner Bros. that were taken out of circulation in 1968 and have never been made available for television broadcast and home entertainment release. However, the studio had other lesser-known shorts with politically incorrect content that have also been quietly removed from release. Among these withdrawn films are five shorts created by Chuck Jones featuring the unusual characters Inki and the Minah Bird.

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The Bootleg Files: The Wizard of Id

BOOTLEG FILES 619: “The Wizard of Id” (1970 animated short based on the long-running comic strip).

LAST SEEN: It is on YouTube and the Internet Archive.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

For every “Peanuts” or “Garfield” that made the successful transition from newspaper comic strip to film and television productions, there are plenty of other comic strips that failed in their efforts to get off the printed page. This is not difficult to understand: what can be charming and droll in a three-panel strip is often labored and contrived when voices are added and stories are stretched out to greater lengths.

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The Bootleg Files: Angel Puss

BOOTLEG FILES 609: “Angel Puss” (1944 Looney Tunes cartoon directed by Chuck Jones).

LAST SEEN: The cartoon can be found on DailyMotion.com and Vimeo.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It has been removed from all commercial channels.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

When you think of family-friendly entertainment, it is not likely that you would consider productions full of attempted murder, emotional torture and racial intolerance. Back in 1944, the cartoon “Angel Puss” incorporated those unfortunate elements into its story – and even in that distant era, its excessive unpleasantness created controversy.

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How The Grinch Stole Christmas (1966)

how-the-grinch-stole-christ

It’s hard to imagine a more perfect adaptation of a Dr. Seuss story than the 1966 Chuck Jones feature; perhaps, “The Butter Battle Book.” In either case, I was one of the many children that grew up watching the TV version of “How the Grinch Stole Christmas.” It’s such a wonderful combination of talents and rich enthusiasm for the source material, that it’s tough to not like it. There’s Boris Karloff, Chuck Jones, and Dr. Seuss, not to mention the perfectly simplistic tale about anti-materialism and the true meaning of Christmas.

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