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Every Bugs Bunny Ever: What’s Opera, Doc? (1957)

What’s Opera, Doc? (1957)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Ken Harris, Richard Thompson, Abe Levitow
Music by Richard Wagner, arranged by Milt Franklyn

There are many people who believe “What’s Opera, Doc?” is the greatest cartoon of all time. I am not one of them. That’s not say I hate the film – I don’t. But at the same time, I don’t share the opinion that this represents the apex of animation. In fact, I wouldn’t even list it in the top 20 of all Bugs Bunny cartoons.
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Every Bugs Bunny Ever: Ali Baba Bunny (1957)

Ali Baba Bunny (1957)
Directed by Chuck Jones
Story by Michael Maltese
Music by Carl Stalling and Milt Franklyn
Animation by Richard Thompson, Ken Harris, Abe Levitow, Ben Washam and Harry Love

The major problem with the Bugs Bunny-Daffy Duck frenemy cartoons is the surplus amount gags focused on Daffy, with Bugs serving mostly as a polite onlooker to the violent humiliation generated by his web-footed friend’s self-destructive greed, jealousy, and rudeness. “Ali Baba Bunny” is the best of these pairings because Bugs shares an equal load of generated laughs with Daffy, and the two work in unison in dealing with a memorable adversary. The result is one of the very best of the Bugs Bunny series, as well as one of the most comically satisfying cartoons ever made.
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Every Bugs Bunny Ever: To Hare is Human (1956)

To Hare is Human (1956)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Abe Levitow, Richard Thompson, Ken Harris, Ben Washam
Music by Milt Franklyn

Wile E. Coyote wants Bugs Bunny for breakfast – not as a guest, but as his meal – but the self-proclaimed genius quickly discovers capturing his prey is beyond his intellectual capacities. For this pursuit, the coyote installs a supersized Univac computer in his cave and consults the machine for strategies on catching Bugs. The computer offers several ideas, but all these seemingly ingenious efforts wildly backfire on the coyote.
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The Bear That Wasn’t (1967)

Notable as the final animated short produced and released by MGM, this 1967 film is adapted from Frank Tashlin’s 1947 children’s book about a bear who awakens from hibernation to find a construction site was erected around his cave while he was sleeping. A construction foreman accosts the bear and demands to know why he’s not working, but when the bear identifies himself the foreman insists he is only “a silly man who needs a shave and wears a fur coat.” The bear insists he is not an employee, so he taken by the foreman up the corporate chain of command – to the general manager, the third vice president, the second vice president, the first vice president and the president – who all inform the astonished ursine interloper that he is “a silly man who needs a shave and wears a fur coat.” The bear is then taken to a zoo where the occupants in a cage of bears affirms the executives’ insistence that the bear is not a bear.
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Every Bugs Bunny Ever: Barbary-Coast Bunny (1956)

Barbary-Coast Bunny (1956)
Directed by Chuck Jones
Story by Tedd Pierce
Animation by Abe Levitow, Richard Thompson, Ken Harris
Music by Carl Stalling

Bugs Bunny is burrowing underground to visit his cousin Herman in San Francisco when he bangs head-first into a giant gold nugget. The swindler Nasty Canasta tricks Bugs into believing he has a depository bank for storing the gold, and Bugs entrusts his new fortune with the miscreant. After Nasty violently waylays Bugs, the angry rabbit vows revenge. Six months later, he tracks down Nasty to the San Francisco casino that he built with Bugs’ gold. Bugs disguises himself as a naïve rural visitor, but this seemingly innocent façade enables him to casually drain the casino of its money by winning Nasty’s rigged games.
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Every Bugs Bunny Ever: Broom-Stick Bunny (1956)

Broom-Stick Bunny (1956)
Directed by Chuck Jones
Story by Tedd Pierce
Animation by Richard Thompson, Ken Harris, Ben Washam, Abe Levitow
Music by Milt Franklyn

The character of Witch Hazel only co-starred as a Bugs Bunny adversary in three Golden Age cartoons: “Bewitched Bunny” (1954), which was strictly okay; “A Witch’s Tangled Hare” (1959), which was among the weakest of the series; and in today’s cartoon, “Broom-Stick Bunny,” which is not only the best of the trio but, IMHO, is among the very best of the Bugs Bunny canon.
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Every Bugs Bunny Ever: Bugs’ Bonnets (1956)

Bugs’ Bonnets (1956)
Directed by Chuck Jones
Story by Tedd Pierce
Animation by Ken Harris, Abe Levitow, Ben Washam, Richard Thompson
Music by Milt Franklyn

The impact of clothing – specifically, headgear – on one’s personality is the focus of this Chuck Jones offering, which involves the contents of a truck carrying theatrical hats falling from the vehicle and on the unsuspecting noggins of Bugs Bunny and Elmer Fudd. With each new hat that lands on their head, Bugs and Elmer take on a variety of aggressive and passive personalities.
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