Rabbit Rampage (1955)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Ben Washam
Music by Milt Franklyn
In my opinion, “Rabbit Rampage” is the worst of the Bugs Bunny cartoons – which is curious since it is a sequel to “Duck Amuck,” which is my choice as being the best of all the Warner Bros. cartoons.
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Hare Brush (1955)
Directed by Friz Freleng
Story by Warren Foster
Animation by Ted Bonnicksen, Art Davis, Gerry Chiniquy
Music by Milt Franklyn
Not unlike last week’s entry “Sahara Hare,” “Hare Brush” gets off to a great start with original humor but strangely falls flat midway through with dull and tired gags.
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Baby Buggy Bunny (1954)
Directed by Charles M. Jones
Story by Michael Maltese
Animation by Ken Harris, Abe Levitow, Lloyd Vaughan, Ben Washam
Music by Milt Franklyn
Of all the adversaries who challenged Bugs Bunny, Baby Face Finster was arguably the most inventive concept of a villain. The idea of an adult (and rather butch) midget disguising himself as a baby was pure genius, and Finster’s fracas with Bugs was among the most original and invigorating in the history of the character’s films.
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Bewitched Bunny (1954)
Directed by Chuck Jones
Story by Michael Maltese
Animation by Lloyd Vaughan, Ken Harris, Ben Washam
Music by Carl Stalling
“Bewitched Bunny” is notable for introducing Witch Hazel as Bugs Bunny’s first female adversary. A large, lumpy, green-hued character, she levitates to click her heels in merriment over her sorcery, cackling with glee over what she perceives to be a superiority over her long-eared foe.
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No Parking Hare (1954)
Directed by Robert McKimson
Story by Sid Marcus
Animation by Charles McKimson, Phil DeLara, Rod Scribner, Herman Cohen
Music by Carl Stalling
Robert McKimson’s “No Parking Hare” is a reworking of Chuck Jones’ 1950 “Homeless Hare,” with Bugs Bunny pitted against a burly and surly construction worker trying to evict the rabbit from his subterranean residence so he can complete a major construction project. Jones’ film takes place in a urban setting, with Bugs being removed from a high-rise development site, while McKimson’s film takes place in an open environment where a freeway is being built.
Captain Hareblower (1954)
Directed by Friz Freleng
Story by Warren Foster
Animation by Manuel Perez, Ken Champin, Virgil Ross, Arthur Davis
Music by Carl W. Stalling
Yosemite Sam returns to 18th century oceanic miscreancy, this time as Pirate Sam with a schooner that he sails all by himself. Just the thought of encountering him creates panic on well-manned ship – the crew abandons their vessel when Sam approaches, leaving only Bugs Bunny, a stowaway in a carrot crate who never heard of Pirate Sam and has no fear of what he can create. Sam bellows for Bugs to surrender, reminding him that “I’ve got you outnumbered one to one.” However, Sam quickly discovers his new long-eared foe is no pushover.
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Robot Rabbit (1953)
Directed by Friz Freleng
Story by Warren Foster
Animation by Ken Champin, Manuel Perez, Arthur Davis, Virgil Ross
Music by Carl Stalling
Carrot farmer Elmer Fudd is frustrated at having Bugs Bunny pilfering his harvest, but his attempts to fatally shoot the long-eared miscreant amounts to naught. Elmer places a call to Acme Pest Control and quickly receives a robot designed to obliterate irritating varmints. The robot initially gets the best of Bugs with a solid punch to the face and by digging him out of his hole, the rascally rabbit uses a mix of old and new tricks to speed the demise of his metallic foe.
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