Tag Archives: Charles M. Schulz

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The Bootleg Files: Tooth Brushing

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BOOTLEG FILES 949: “Tooth Brushing” (1978 animated short featuring the Peanuts characters).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It is surprising that it hasn’t been a special feature yet.

Any critic who claims to know everything about movies is not telling the truth. The true joy of being critic is to discover films that you never knew existed, particularly within genres where you think that you’re an expert.
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The Bootleg Files: You’re a Good Man, Charlie Brown

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BOOTLEG FILES 744: “You’re a Good Man, Charlie Brown” (1973 television production of the Off-Broadway musical).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Most likely due to a problem with rights clearance.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.

One of the big entertainment stories this week was the announcement that the classic year-end holiday specials featuring the characters from Charles M. Schulz’s “Peanuts” comic strip will not be shown on broadcast television, but will instead be seen on a streaming service. Many fans of these productions were deeply disappointed, as these specials have been an integral part of the holiday season television line-up for decades. However, there is another television special based on “Peanuts” that has not been broadcast since its only offering 47 years ago.
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The Bootleg Files: It’s the Girl in the Red Truck, Charlie Brown

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BOOTLEG FILES 662: “It’s the Girl in the Red Truck, Charlie Brown” (1988 TV special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS video.

REASON FOR BOOTLEG STATUS: It is out of circulation for many years.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

Following the dismal reception of his 1988 made-for-television special “It’s the Girl in the Red Truck, Charlie Brown,” Charles M. Schulz lamented that “I wanted this to be my ‘Citizen Kane,’ but it’s not.” From an Orson Welles analogy perspective, the production might have been closer to those infamous drunken outtakes for the Paul Masson champagne – a weird, embarrassing blip in the late stages of a brilliant career.
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