After the disappointment that was “Peter Pan & Wendy” I was hopeful and optimistic about the remake of Disney’s “The Little Mermaid.” I say remake because Disney has not bothered to really deviate from their successful formula. They haven’t borrowed from Hans Christian Anderson’s original story, but instead just remade their classic animated version from 1989. “The Little Mermaid,” despite my utter optimism and enthusiasm for it is yet another dull, assembly line repackaging of one of their classic interpretations that’s given a new coat of paint and is extended, for some reason. Because nothing signals “sophisticated” than making a movie longer–right? That makes it Oscar worthy–maybe? Simply stretch every nuance and sincere moment from the original animated movie and Bob’s your uncle.
Tag Archives: Comedy
Savi the Cat (2022) [Tribeca Film Festival]
Directors Bryan Tucker and Netsanet Tjirongo’s “Savi the Cat” is one of the more unsuspecting short documentaries of the year. It’s a human story, but one that revolves around owning a pet. It’s amazing what adopting a pet can with and to your life. It can change it in ways that we never thought were possible, which is why so many pets are up for adoption. Not many people realize just how much of a task it can be to maintain and keep any kind of domestic animal. With “Savi the Cat,” the pair of owners not only learns about the humongous task that is of owning a cat, but the toll it inevitably takes on their relationship in the long run.
The Wrath of Becky (2023)
A few years following her first face off with Neo-Nazis, Becky is faced with a new group of them coming to her town to cause issues. As they attack the lady she’s been living with, Becky goes on the revenge path.
Shazam! Fury of the Gods (2023) [Blu-Ray/DVD/Digital]
One of the things about “Fury of the Gods” that made me laugh is that people gave “Man of Steel” so much crap for its blatant product placement. And yet, with “Fury of the Gods” there is literally an entire plot point centered on the candy Skittles. At one point one of the characters even proclaims “Taste the rainbow!” as they ride unicorns in to battle with the film’s villainesses. It’s really not a hindrance on the movie as a whole, but I was kind of laughing to myself at those that made such an issue about big product placements playing key roles in major films.
Every Bugs Bunny Ever: Super-Rabbit (1943)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
Super-Rabbit (1943)
Directed by Chuck Jones
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Ken Harris
“Look up there in the sky! It’s a boid…!”
“Naw, it ain’t no boid, it’s a dive bommah!”
“No… it’s Super Rabbit!”
This is my wheelhouse, baby. This is my niche. This is my milieu. This is my territory. They took Bugs Bunny, my favorite cartoon character of all time. They took Superman: My favorite fictional character and superhero of all time. Then they mixed them together to form this wonderful amalgam, satire, and homage that I loved as a kid and adore even more now. As a Superman fanatic going in to his forties, “Super-Rabbit” makes me happy. It makes me smile. And it’s also very funny, which is a plus. Superman was once upon a time the most popular character in America. He was a huge star of the radio, a big star on TV, and one of the highest selling comic book characters ever. Superman was a superstar of the early 1900’s, and continued to be, well in to the 1950’s.
So it only made sense for Merrie Melodies to not only satirize Superman, but satirize Superman by using one of the most popular cartoon characters of the time, Mr. Bugs Bunny.
White Men Can’t Jump (2023)
After the horrendous “House Party” remake, it’s pretty clear that director Calmatic is a nineties kid who loves the decade. The problem is that like “House Party,” his modern remake of “White Men Can’t Jump” can’t quite catch the lightning in a bottle energy and flavor that the originals held. He packs his soundtrack with nineties hip hop, nineties references, and even revives nineties-esque fashion for his characters. But when it comes down to it, “House Party” and “White Men…” had a real spontaneous energy about them that Calmatic can’t grasp, yet.
Killer Kites (2023)
With “Killer Kites,” you’re facing a movie that’s genuinely critic proof, and has a clear idea about what it is from the first moment it starts. It’s only an hour in length and spends a lot of its time trying to turn kites in to mythological monsters. So, you either go in knowing what to expect, or you turn around look for another means of entertainment. I have to admit that Alan Dale and Austin Frosch’s horror comedy won me over from the opening credits.