The Boys in the Boat (2023)

There’s a moment before the big race in the finale of “The Boys in the Boat” where the American team are waiting to enter and they come across Jessie Owens. Owens, being the only black character who appears a total of twenty seconds, confirms that he hopes he is “the fastest man alive” when they ask him. “You gonna race for Germany and give Hitler what for?” they ask salivating, “No, I’m gonna do it for America.” They all give each other bewildered looks (Him America not like Our America? Nuh uh!) pretty much perpetuating the sheer tone deafness of George Clooney’s latest film.

His movie almost always finds an interesting angle and point to go in and then veers off the track colliding in to sheer nothingness.

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Finestkind (2023)

Director Brian Helgeland’s “Finestkind” would be a great movie if he and the screenwriter ever decided what kind of movie they’re actually intending to make. “Finestkind” has a lot going for it, but it’s hobbled by its terrible tonal shifts. It’s about four movies anxious to burst out and rise to the surface. For a whole hour it’s a drama about the beauty of sailing, then it’s a crime thriller, then it’s a neo-noir about a botched drug bust, then it becomes a tragic familial drama. It never focuses on one theme, thus it comes off feeling so confused and disorienting.

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Oppenheimer (2023) [4K UHD/Blu-Ray]

Say what you want about Christopher Nolan, but his sense of theatrics and spectacle works wonders in exploring the calculated creation of the Atomic bomb, as well as the life story of J. Robert Oppenheimer. Arguably one of the most destructive figures in world history, “Oppenheimer” is simultaneously a biopic of Oppenheimer as well as a deep dive in to the development, and politics of the atomic bomb and how it changed the world drastically.

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