No one approaches Heckle and Jeckle cartoons expecting art – or, for that matter, coherent storytelling, sophisticated dialogue or an ironic reflection on the emotional palette. But, of course, they were never intended to provide cerebral invigoration or display the fullest spectrum of animated creativity. As the producer of the cartoons Paul Terry once succinctly declared regarding the quality of his work compared to the master of the genre: “Let Walt Disney be the Tiffany’s, I want to be the Woolworth’s.”
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