Before Michael Cera and “The Big Bang Theory,” Steve Urkel made it cool to be a geek. And not just an uber-geek but a mega-geek, someone so unashamed to be himself that he was hip, and we loved him. I won’t deny it. When I was a kid watching this series, everyone including me loved Urkel, and we thought of him as the supreme nerd to idolize even prompting the Urkel Dance to be imitated over and over. As I’ve said before: kids are stupid and we were. Watching “Family Matters” many years later, it was interesting to see the evolution of this series that started out its life in “Perfect Strangers.”
While the show does begin as a sort of new age “The Cosby Show” with a middle class, honest, loving African American family, its premiere on TGIF on the ABC network here in America was pretty boring. And I think after a while even ABC began to realize that deep down this was just a lackluster and forgettable retread of “The Cosby Show” that tried its best to muster up interesting characters and storylines and bombed big time.
As an animated movie, Hanna Barbera could have done much better. “Yogi’s First Christmas” isn’t the worst animated movie I’ve ever seen but in terms of quality, it all feels like such a rushed product that was pushed in to production in time for Christmas. The line work is shaky, the coloring is bland, the character models are fuzzy and there are even a few errors that will give the keen observer a hard time.
2009 saw an unusual change in the status quo. What were once edgy indie filmmakers soon turned to directors aiming for children’s entertainment that was raucous and quite unusual. First Wes Anderson and then Spike Jonze. That’s no caveat though as Jonze takes his knack for the surreal and the unusual and makes a family film that’s quite edgy. Never shying away from mild violence and scary images, Jonze adapts a famous children’s book in to one of the most fantastic piece of family filmmaking ever made. Displaying hints of danger, Jonze’s film is about unbridled childhood fun and the innocence that’s lost once confronted with the prospect of growing up. Do we all have to lose our imagination from a world that demands even children to leave childish things behind?