Every Bugs Bunny Ever: Big House Bunny (1950)

Big House Bunny (1950)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Virgil Ross
Music by Carl Stalling

I know that I compare a lot of the premises for Bugs Bunny shorts to Tex Avery, but there’s no doubting that a lot of his influence remained on the Looney Tunes long after he left for MGM. Not only did he have an unusual albeit genius formula, but he was funnier in MGM because he was pretty much allowed to be as insane as possible. With “Big House Bunny” it feels like a plot for one of Droopy’s shorts where Droopy ends up at the wrong place while the warden would normally be the hilarious rival of the wolf.

That doesn’t hinder the entertainment factor of “Big House Bunny” it’s just that the concept for this short feels familiar in its ingredients.

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Every Bugs Bunny Ever: Homeless Hare (1950)

Homeless Hare (1950)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ken Harris
Music by Carl Stalling

A lot of Looney Tunes relies on the formula of the whole industrial revolution and the trampling of the environment. While most of it just used as a means of finding a catalyst for a narrative of the short, so many times these shorts always begin with the real bad guy of the piece. Either Bugs, or Daffy are minding their business and are interrupted by some company either destroying their homes, or demolishing some kind of ecosystem. Even shorts like the Coyote and Road Runner finds them primarily battling in man made roads, and train tracks and bridges. They’re rarely hunting each other in the wild, or in bushes, which is an interesting look at how much America was changing in this era.

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Every Bugs Bunny Ever: Mutiny on the Bunny (1950)

Mutiny on the Bunny (1950)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Gerry Chiniquy
Music by Carl Stalling

Friz Freleng’s “Mutiny on the Bunny” is another of Bugs Bunny’s sea faring adventures and they always manage to hit differently. There’s just something more inherently funny about Bugs Bunny out at sea that allows the writers to get a bit more creative. Meanwhile, we’re given yet another appearance by Yosemite Sam who plays the sea captain, and I couldn’t have asked for a better nemesis this time around. Yosemite Sam is one of my all time favorite nemeses for Bugs. Probably even more so than Elmer Fudd, now that I come to think about it.

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Every Bugs Bunny Ever: Hurdy-Gurdy-Hare (1950)

Hurdy-Gurdy Hare (1950)
Directed by Robert McKimson
Written by Warren Foster
Animation by JC Melendez
Music by Carl Stalling 

I love “Hurdy Gurdy Hare” because it doesn’t really follow the traditional formula for Bugs Bunny toons. It feels a lot like a callback to the Abbot and Costello show where there’s not a real plot line. There’s just a lot of stuff that happens and Bugs Bunny is at the forefront of it all. Seriously, a lot of stuff just happens with not a lot of the usual Bugs Bunny defending people or whatnot. It’s just Bugs trying to make a living and coming across a devious, greedy little monkey.

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Every Bugs Bunny Ever: Rabbit Hood (1949)

Rabbit Hood (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ken Harris
Music by Carl Stalling

After the nastiness that was last week’s “Which is Witch” it’s nice to see Bugs Bunny return to the basics again. “Rabbit Hood” is one of my top ten Bugs Bunny shorts of all time. It’s a hilarious spoof of the Robin Hood tale that ranks up there with 1958’s “Robin Hood Daffy” in terms of hilarity and clever jokes. Oddly Bugs isn’t Robin Hood but he is falling prey to the fascism of the king who is desperate to snag Robin Hood at every turn. Now with the king’s property guarded, Bugs comes under attack by the Sheriff of Nottingham. When Bugs seeks a few carrots from the king’s garden, the two go at it, prompting a hysterical war between the pair.

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Every Bugs Bunny Ever: Which is Witch (1949)

Which Is Witch (1949)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Arthur Davis
Music by Carl Stalling

Like “All This and Rabbit Stew” and “Nips the Nips,” this one is strictly for hardcore Bugs Bunny completists. It’s not that “Which is Witch” is so unabashedly racist and filled with racial stereotypes. It’s that it’s so painfully unfunny. Even at his worst director Friz Freleng can pull out a few chuckles here and there, but “Which is Witch” trades good solid laughs and prime comedy in order to once again punch down and turn a gross racist caricature in for Bugs Bunny to use as a source of utter humiliation. When Cartoon Network was a big name in the animation medium, the network would hold annual weekend long marathons of Bugs Bunny shorts titled “June Bugs.”

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Every Bugs Bunny Ever: Frigid Hare (1949)

Frigid Hare (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Phil Monroe
Music by Carl Stalling

I think “Frigid Hare” is the point in Bugs Bunny’s career when he stopped being a mere foil or protagonist and started being something of a hero. When he finally steps up to defend a small penguin named “Playboy,” who–a very small cute penguin… from the wrath of an inuit. That’s the exact time Bugs started becoming something of a hero for the little guy. All of the other scenarios of Bugs giving in to his baser urges to be egomaniacal, or just plain antagonistic are a bar he’s just toppled. With “Frigid Hare” the animators and writers set a high bar with a short where we’d see him defending and fighting for other smaller animals in the near future.

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