Rabbit’s Kin (1952)
Directed by Robert McKimson
Story by Tedd Pierce
Animation by Charles McKimson, Herman Cohen, Rod Scribner, Phil DeLara, Keith Darling
Music by Carl Stalling
Of all the predators who pursued Bugs Bunny, Pete Puma was arguably the stupidest of the bunch. But at the same time, he might have been the most endearing – if only because his cheerful imbecility made him oblivious to the fact that he was his own worst enemy rather than Bugs’ greatest foe.
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Yankee Doodle Daffy (1943)
One of my favorites as a child, this Daffy short was featured on a VHS compilation I watched often. This is, yet again, Daffy tormenting Porky Pig; Porky is a show business agent who goes on vacation and Daffy storms his house with his client Sleepy Lagoon, desperate to convince him to represent him. Despite Porky’s protests about not working, Daffy makes it painfully clear he’s not taking no for an answer. He soon begins chasing him around, stalking him, and even engaging him in a hilarious Carmen Miranda impression. With all the antics, the short ends on a high note with Sleepy fumbling his big solo for Porky. It’s a hilarious high note to end on.
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Hillbilly Hare (1950)
Directed by Bob McKimson
Written by Michael Maltese
Animation by Rod Scribner
Music by Carl Stalling
Sorry we missed you last week, but I’ve been very ill as of late.
In either case, “Hillbilly Hare” further emphasizes the wonderful marriage between Looney Tunes and classic music, or in case it’s Southern music. “HillBilly Hare” isn’t anything particularly special, but it’s a great and very funny misadventure with Bugs mainly because of the wonderful musical direction. I dare say that I learned about square dancing because of “HillBilly Hare” and loved the way the short utilized it as a means of comedy. While this certainly the first comedy to take square dancing and use it as a comedy plot point or running gag, “HillBilly Hare” is just so great about.
8 Ball Bunny (1950)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Phil Monroe
Music by Carl Stalling
It’s the return of Playboy Penguin, the inadvertent hero we haven’t seen since 1949’s “Frigid Hare.”
This time the Playboy Penguin returns for his second and last collaboration with Bugs Bunny as his show “The Brooklyn Ice Frolics” leaves town without him. He accidentally falls in to Bugs’ rabbit hole garnering the sympathy of Bugs who agrees to take him back home. Little does he know home is the North Pole. Ooh! I’m Dy-ing! There is so much to unwrap with “8 Ball Bunny” as this is probably one of the best Chuck Jones outputs for Bugs that’s ever been made. It’s hysterical, it’s clever, it’s quotable, and it even has a three act structure.
What’s Up Doc? (1950)
Directed by Bob McKimson
Written by William Foster
Animation by JC Melendez
Music by Carl Stalling
And so it was: the birth of “What’s up, Doc?”
At least that’s how Bugs Bunny sees it. Although we know better, the big star known as Bugs prefers to think of it as a fluke that turned in to a successful shtick for a young Bugs Bunny. “What’s up, Doc?” is a pretty important short in the Bugs Bunny library even though pretty much all of his are just self contained stories with loose continuity. For example, the set up here is similar to “A Hare Grows in Manhattan” where Bugs even tells a different story of how he grew up and became a performer. Like Vaudeville, they all work within the confines of their frame work, and they’re just there as a reason to tell jokes and deliver some great gags.
Big House Bunny (1950)
Directed by Friz Freleng
Written by Tedd Pierce
Animation by Virgil Ross
Music by Carl Stalling
I know that I compare a lot of the premises for Bugs Bunny shorts to Tex Avery, but there’s no doubting that a lot of his influence remained on the Looney Tunes long after he left for MGM. Not only did he have an unusual albeit genius formula, but he was funnier in MGM because he was pretty much allowed to be as insane as possible. With “Big House Bunny” it feels like a plot for one of Droopy’s shorts where Droopy ends up at the wrong place while the warden would normally be the hilarious rival of the wolf.
That doesn’t hinder the entertainment factor of “Big House Bunny” it’s just that the concept for this short feels familiar in its ingredients.
Homeless Hare (1950)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ken Harris
Music by Carl Stalling
A lot of Looney Tunes relies on the formula of the whole industrial revolution and the trampling of the environment. While most of it just used as a means of finding a catalyst for a narrative of the short, so many times these shorts always begin with the real bad guy of the piece. Either Bugs, or Daffy are minding their business and are interrupted by some company either destroying their homes, or demolishing some kind of ecosystem. Even shorts like the Coyote and Road Runner finds them primarily battling in man made roads, and train tracks and bridges. They’re rarely hunting each other in the wild, or in bushes, which is an interesting look at how much America was changing in this era.