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Christmas Dreams (2017)

Andrew Repasky McElhinney, the critically acclaimed underground filmmaker responsible for such offbeat gems as “A Chronicle of Corpses” (2001) and “Georges Bataille’s Story of the Eye” (2003), has created a whimsical holiday season feature.

Told without any dialogue, this feature presents a series of inventive dance sequences linked to the simple tale of a contemporary Little Drummer Boy (Conrad Sager) trying to win the heart of a pretty girl (Francesca Flamminio). A magical toymaker keeps an eye on this youthful pair as their dreams spin into vibrant fantasty detours before settling in a delightful reality.

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The Bootleg Files: Christmas Holiday

BOOTLEG FILES 618: “Christmas Holiday” (1944 noir drama starring Deanna Durbin and Gene Kelly).

LAST SEEN: It is on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It is unclear what happened.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It’s possible.

During the late 1930s and early 1940s, Deanna Durbin was the reigning teen queen of Universal Pictures’ musicals – which made her something of a big fish in a small pond, considering musicals were not really that studio’s forte. Nonetheless, audiences loved the pretty Canadian-born star with the peerless soprano singing voice, and Universal loved that audiences loved her. But the love did not extend to Durbin herself, who bristled at the saccharine persona created by her employers. She derided her screen image as “Little Miss Fixit who bursts into song,” claiming that films like “One Hundred Men and Girl” and “Mad About Music” created a corny image that “represented the ideal daughter that millions of fathers and daughters wished they had.”

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Cracking Cancer (2017)

Judith Pyke’s documentary, which was originally presented as an episode on the long-running CBC Television series The Nature of Things, highlights the groundbreaking research conducted by the BC Cancer Agency in Vancouver on Personalized OncoGenomics (POG), an experimental treatment for individuals with incurable cancer.

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Darkest Hour (2017)

I am not certain where Gary Oldman culled inspiration to play Winston Churchill in this new cinematic equivalent of a comic book history lesson. With a blubbery voice and a penchant for cutesy physical movements, Oldman does a smashing impersonation of Benny Hill’s Mr. Scuttle, but the resemblance to Britain’s wartime leader isn’t quite there. An excess of make-up and generous body padding only succeeds in turning Oldman into living Madame Tussaud wax statue.

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Yvette Vickers: A Bombshell Remembered

Fans of edgy/campy 1950s flicks will remember Yvette Vickers as the blonde bombshell star of such classics as “Short Cut to Hell” (1957), “Reform School Girl” (1957), “Attack of the 50 Foot Woman” (1958) and “Attack of the Giant Leeches” (1959). But she was much more than a blonde bombshell of the B-Movie screen. In this episode of “The Online Movie Show,” film historian John O’Dowd discusses his new audiobook “My Friend, Yvette Vickers: In Her Own Words,” which details this bright, funny and complex star’s remarkable life and her still-shocking death.

The episode can be heard here.

“The Online Movie Show” is produced at the Platinum Wolfe Studios.

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The Bootleg Files: Julie’s Christmas Special

BOOTLEG FILES 617: “Julie’s Christmas Special” (1973 television production starring Julie Andrews).

LAST SEEN: It is on YouTube and Vimeo.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It’s possible.

In 1972, Julie Andrews sought to re-energize her career by focusing on television. This migration from big screen to small screen followed a string of big-budget flop films that damaged her viability as a movie star. But she still had name value, and the less expensive and more intimate parameters of a television variety seemed perfect for her distinctive talents. “The Julie Andrews Hour” was produced in England by ATV and distributed internationally by Lew Grade’s ITC Entertainment, with ABC picking up the U.S. rights.

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Manhattan (1979)

Too many people today look at Woody Allen’s 1979 “Manhattan” for evidence of the filmmaker’s alleged perversions. After all, his character in the film is a 42-year-old having a relationship with a 17-year-old girl played by Mariel Hemingway – and wouldn’t logic dictate that everything Allen does on screen is autobiographical?

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