Is it possible to have a more sublime combination than the erudite music of Stephen Sondheim and the ethereal song stylings of Judy Collins? This filmed concert, originally broadcast on PBS, features the legendary songstress performing the Broadway master’s finest works at Denver’s Boettcher Concert Hall, backed by the Greeley Philharmonic Orchestra conducted by Glen Cortese.
There is nothing like a great movie musical – and La La Land is nothing like a great movie musical. This ambitious yet inert mess seems to grab a dozen different styles from classic musicals, but fails to find its own personality.
Among the many heroes of the civil rights movement, Fannie Lou Hamer stands out as a burst of spirit and power in the face of unthinkable forces. Robin N. Hamilton’s documentary short offers a brief yet effective portrait of a woman who rose from the poverty of Mississippi sharecropping to challenging the Democratic Party’s embrace of racist politics.
Viewing Chilean director’s Pablo Larrain’s first English-language feature is not unlike viewing a political skit on the current edition of Saturday Night Live: a none-too-stellar ensemble surrounds an A-list star, with everyone made-up and costumed to suggest notable figures despite the fact no one on screen is capable of a satisfactory imitation of the people they are imitating. And while SNL keeps the viewer waiting for deep laughs to flow, viewers watching this film will be baffled at this rather curious retelling of a very familiar story.
Dutch filmmakers Joey Boink and Sander Wirken helmed this documentary on the efforts of Guatemalan Attorney General Claudia Paz y Paz to bring justice to her country during her 2010-2014 term. Some of the problems that she faced were cultural – Guatemalan prosecutors were traditionally unenthusiastic about challenging narco-crime gangs, the nation’s notorious human rights abuses and even domestic violence cases – and other were the result of plain stupidity, most notably the proliferation of misspellings in the national crime database.
Steve Gleason was a New Orleans Saints linebacker whose career hit a peak in September 2006 at the Superdome, when he blocked an Atlanta Falcons punt that was picked up by teammate Curtis Deloatch for a touchdown, the first score for the Saints on their home turf since Hurricane Katrina. Gleason retired from football in 2008, and three years later his life took a double twist: he was diagnosed with ALS (more commonly known as Lou Gehrig’s disease) shortly before his wife Michel learned that they were expecting their first child.
The 1971 feature Le Mans is mostly notable as the rare commercial flop during the height of Steve McQueen’s box office reign. Gabriel Clark and John McKenna’s documentary on the making of Le Mans offers an intriguing look at why the film failed, with most blame going on the star.