The Bootleg Files: No Exit

Posted on February 21, 2025 by Phil Hall

BOOTLEG FILES 898: “No Exit” (1954 French film based on Jean-Paul Sartre’s play).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It was never released in the United States.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

In May 1944, Jean-Paul Sartre’s drama “Huis clos” had its premiere in Paris. The play came to New York in November 1946 with a production directed by John Huston – this would be the filmmaker’s only foray into directing for Broadway. Sartre’s title, which translated as “Behind Closed Doors,” was changed to “No Exit” for this production, and since then the work is known to American audiences by that title – in Britain, the play has been produced as “Vicious Circle” and “In Camera.”
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The Bootleg Files: A Special Valentine with the Family Circus

Posted on February 14, 2025 by Phil Hall

BOOTLEG FILES 897: “A Special Valentine with the Family Circus” (1978 animated television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS video.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Oh, God, I hope not.

If you ever want to encounter the most passionate vitriol to stain the Internet, type in the words “Family Circus Hate” into your search engine and then set aside several hours to read the blog posts and forum messages from people who have an aggressive loathing to that long-running newspaper comic strip “The Family Circus” about a wholesome family and their treacly-thick approach to life’s minor inanities. But if you really love to hate “The Family Circus” – or if you really hate yourself and you feel that you need to be punished for genuine or perceived character flaws – then please set aside about a half-hour to endure the 1978 animated TV special “A Special Valentine with the Family Circus.”
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The Bootleg Files: Professor Mamlock

Posted on February 7, 2025 by Phil Hall

BOOTLEG FILES 896: “Professor Mamlock” (1938 Soviet drama focused on Nazi anti-Semitism).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: If any film deserves a release, this is it.

After Adolf Hitler’s rise to power and his subsequent persecution of Germany’s Jewish population, the Hollywood film industry found itself in a quandary. Many of the studios were owned and operated by Jewish businessmen who were not supportive of Hitler’s anti-Semitic policies – and many German creative artists who fled Hitler’s Germany were welcomed in the Hollywood studios. But at the same time, the German market was a lucrative export destination for Hollywood films and the studios did not want to jeopardize the revenue stream they enjoyed from German cinemas. As a result, no Hollywood film criticized Nazi policies against its Jewish population, while “Confessions of a Nazi Spy” released by Warner Bros. in May 1939 broke the taboo of clearly identify Hitler’s government as an enemy to Americans.
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The Bootleg Files: Spook to Me

Posted on January 31, 2025 by Phil Hall

BOOTLEG FILES 895: “Spook to Me” (1945 comedy short starring Andy Clyde and Dudley Dickerson).

LAST SEEN: On the Internet Archive.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

If any star of Hollywood’s Golden Age was in need of a revived public interest, it would be Andy Clyde. With a career spanning from the Mack Sennett silent comedies to the 1960s sitcoms, Clyde was a welcome presence both as a star and a supporting character – usually playing a doddering, slightly cranky but mostly endearing elderly chap.
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The Bootleg Files: The Frederick Douglass Afro Sheen Commercial

Posted on January 17, 2025 by Phil Hall

BOOTLEG FILES 894: “The Frederick Douglass Afro Sheen Commercial” (1979 television commercial featuring an unlikely historic figure promoting haircare products).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There has been no home entertainment anthology for the television commercials for this Afro Sheen product line.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

It is not uncommon for historical figures to be used in television commercials, usually for comic effect. Leonardo Da Vinci was incorporated into a Red Bull advertisement, Abraham Lincoln hawked Geico’s insurance products, and several of the Founding Fathers turned up pitching a variety of goods. But for pure undiluted strangeness, nothing beats a 1979 television commercial where the 19th century abolitionist Frederick Douglass is called up to sell the Afro Sheen line of haircare products aimed at Black Americans. And while the concept is more than a little bizarre, the result is delightfully effective.
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The Bootleg Files: Kennedy’s Children

Posted on January 10, 2025 by Phil Hall

BOOTLEG FILES 893: “Kennedy’s Children” (1982 television film based on Robert Patrick’s play).

LAST SEEN: On OK.ru.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: It is unclear why this was never released for home entertainment viewing.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

Adapting a stage play into a film is always something of a challenge, but taking Robert Patrick’s drama “Kennedy’s Children” from its theatrical setting into a cinematic format was not an easy journey. For starters, “Kennedy’s Children” is not a conventional play, but rather a series of monologues delivered by five strangers in a bar. The characters never interact with each other, but instead voice their inner frustrations to the audience.
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The Bootleg Files: Chu Chu and the Philly Flash

Posted on January 3, 2025 by Phil Hall

BOOTLEG FILES 892: “Chu Chu and the Philly Flash” (1981 comedy feature starring Alan Arkin and Carol Burnett).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: Only available on VHS.

REASON FOR BOOTLEG STATUS: It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.

While viewing this 1981 comedy film, a nagging thought kept cycling through my mind: Did anyone during the creation of this work genuinely believe they were making a funny movie? Granted, there is a surplus number of unfunny comedy films – but “Chu Chu and the Philly Flash” is such an astonishing misfire that it could inspire an academic consideration of how not to make a comedy film.
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