Five Favorite Music Videos Tied to Big Movies

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Will Smith, Dru Hill et al for “Wild, Wild West”

With the advent of music videos going completely out of style with introduction of music streaming, a long time element of music fandom died. While there are still plenty of music videos, they no longer make or break the popularity of a single or music album. One of the best things about being a movie and music fan is that there was almost always a music video attached to the movie itself. Whether it was the movie’s theme song, or a music video directly reflecting the movie content, there was always a guarantee of a music video for a movie.

Whether it was Chad Kroeger’s “Hero,” Dokken’s “Dream Warriors,” Space Jam’s “I Believe I Can Fly,” Ray Parker’s “Ghostbusters,” or 45 Grave’s “Party Time,” there was a massive plethora of movie related music videos.

Here are five of my absolute favorites.

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Every Bugs Bunny Ever: Mississippi Hare (1949)

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Mississippi Hare (1949)
Directed by Chuck Jones
Written by Michael Maltese
Animation by Ben Washam
Music by Carl W. Stalling

“Mississippi Hare” is so problematic in the first twenty seconds that you have to constantly remind yourself of the context upon which this short was produced. There’s so much cringe inducing material that sets up the general premise for “Mississippi Hare” that it actively destroys any momentum it tries to pick up. And it’s not that the whole set up is extreme, it’s just that it’s so of its time, that I can imagine this short only ever appearing on Beta and VHS compilations in the eighties and nineties. Those VHS compilations often included shorts like this without editing anything out.

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Bad Movie Monday: Splatter Farm (1986)

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I’ve never really delved into the mad world of the Polonia Brothers before and I think it’s about time I gave their work a gander. The twin brothers gained fame and notoriety all the way back in 1996 when Blockbuster bought the distribution rights to their film Feeders and it became one of the video chain’s most rented indie title that year. Now, before I go on, I have to admit that I’ve tried to watch Feeders several times but I could never really get into it. It just felt really slow and meandering. Perhaps I wasn’t in the right mood. I don’t know. I will watch it one day, I promise. For now, I’m going to review one of their earlier movies SPLATTER FARM.

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The Bootleg Files: Follies

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BOOTLEG FILES 861: “Follies” (fan film recreation of the legendary 1971 Broadway musical).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: An unauthorized presentation of inconsistent quality.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

When the Stephen Sondheim musical “Follies” opened on Broadway in April 1971, the show’s co-director Harold Prince was sowing the seeds of a potential film version featuring some of Hollywood’s greatest stars. John Springer, who handled the publicity for the Broadway show, would later claim that a minor miracle was achieved when Bette Davis and Joan Crawford agreed to be in the film – albeit without being in the same scene; Springer also insisted Gloria Swanson, Elizabeth Taylor and Richard Burton expressed interest in being part of the cast.
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Sorceress of Suburbia (2011)

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Director Fred Olen Ray has had one of the weirdest movie careers I’ve ever seen from any director. It’s not many filmmakers that can ride the tides of various trends creating softcore porn for basic cable, erotic thriller, cheapy horror movies, and then goofy Hallmark Channel Christmas movies in one career. Fred Olen Ray gets shit done, I guess, and “Sorceress of Suburbia” is one of his many forays in to the porn sub-genre.

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