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Every Bugs Bunny Ever: Lighter Than Hare (1960)

Lighter Than Hare (1960)
Directed by Friz Freleng
Story by Friz Freleng
Animation by Gerry Chiniquy, Arthur Davis, Virgil Ross
Music by Milt Franklyn

From a human resources perspective, one must admire Yosemite Sam’s occupational versatility. Originally conceived as a desperado, he later worked as a pirate ship captain, a prison guard, a Hessian mercenary, a sheik, a medieval knight, and in “Lighter Than Hare” he is an extraterrestrial invader. Nice work if you can get it, eh?
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Every Bugs Bunny Ever: From Hare to Heir (1960)

From Hare to Heir (1960)
Directed by Friz Freleng
Story by Friz Freleng
Animation by Gerry Chiniquy, Art Davis, Virgil Ross
Music by Milt Franklyn

In Merry Olde England, things are anything but merry at Bedlam Manor where Sam, Duke of Yosemite, discovers he is penniless after his uncle, the King, discontinued his allowance. Sam takes out his anger on his accountant-servant by slamming the man’s nose in a large book.
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Conrad the Sailor (1942)

For every Bugs Bunny or Daffy Duck that becomes a pop culture icon, there are countless cartoon characters that get tested in one or a few shorts before being dropped for lacking versatility and viability. Conrad the Cat, a yellow bipedal feline created by Chuck Jones, is an example of a character that was jettisoned after failing to immediately click on the screen.
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Every Bugs Bunny Ever: Rabbit’s Feat (1960)

Rabbit’s Feat (1960)
Directed by Chuck Jones
Story by Michael Maltese (uncredited)
Animation by Ken Harris, Richard Thompson
Music by Milt Franklyn

Wile E. Coyote – the talking version with the supercilious Mid-Atlantic accent – returns to pursue “rabbitus idioticus delicious.” As with his previous attempts to secure Bugs Bunny for his meal, the self-important coyote winds up falling victim to his cockamamie schemes and traps.
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Every Bugs Bunny Ever: Person to Bunny (1960)

Person to Bunny (1960)
Directed by Friz Freleng
Story by Michael Maltese
Animation by Arthur Davis, Gerry Chiniquy, Virgil Ross, Harry Love
Music by Milt Franklyn

Bugs Bunny is being interviewed at his Hollywood home (a luxurious hole in the ground) on live television by Cedric R. Burrows for the “People to People” show (a spoof Edward R. Murrow and his series “Person to Person”). While the interview is in progress, Daffy Duck comes in and tries to make himself the center of attention. Bugs answers a question about Elmer Fudd with an insulting wisecrack – “His IQ is PU” – but Elmer is watching the broadcast and grabs his rifle, showing up at Bugs’ home. The broadcast devolves into chaos as Elmer winds up shooting Daffy, a quickly recovered Daffy does vaudeville-style dancing for the camera, and a rifle-toting Elmer chases Bugs out of his home.
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Old Rockin’ Chair Tom (1948)

One of the most misunderstood (and, subsequently, controversial) characters in animation history is the amply proportioned Black woman who appeared in 19 of the Tom and Jerry shorts. Contemporary sources refer to as “Mammy Two Shoes,” but that name was never used on-screen or in the screenplays – that moniker was first applied incorrectly in a 1975 Film Comment article and stuck ever since. Not only did she not have a name, but viewers never saw her face (outside of a split-second gag in the 1950 “Saturday Evening Puss”) and never truly understood her relationship to the troublesome cat and mouse duo. It is widely assumed she is a maid or housekeeper because she wears an apron, but if that is the case her (presumably white) employers are never shown or even mentioned. In “Saturday Evening Puss,” she refers to the residence as “my house,” suggesting homeownership rather than domestic servitude.
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