Out on Blu-ray and 4K UHD August 27, 2024
After his father’s arrest during the Spanish Civil War, a young boy must learn a new life and decide where he stands between his parents’ clashing ideologies.
Where is the American dream bred? In the heart or in the head? Director-Writer Ziyu Luo’s “American Daydream” is a classic ode to the idea of the American dream and our pursuit of it. Is the “American Dream” an unreachable goal, or something that we each have within us, personally? Recently having its world premiere at the HollyShorts Film Festival, “American Daydream” is a brilliant beautiful short drama comedy that explores ideas about immigration, assimilation and Americanization.
Deep down there’s a great movie within “Brave Citizen.” The South Korean film by Park jin-pyo has a great premise, and a great cause to fight for that could serve as a catalyst for an interesting superhero tale. Instead “Brave Citizen” is bogged down in so much exposition and sub-plots and commentary that is loses sight of its original intent. There’s no reason a movie like “Brave Citizen” should be so long, and I say that as someone that almost never cares about run time.
But Park jin-pyo and the writers take so long to get to the actual point that by the time we do get an idea what they’re aiming in the realm of superheroes meets bringing down the affluent, the movie has already worn out its welcome.
Going off on vacation to a cabin, three young women meet new people, party, and end up trying out a new device that sends them on a whole other kind of trip.
Chisato and Mahiro finally are on vacation, things relaxing (maybe), but not for long. Soon, colleagues show up and they learn that they now need to go back to work.
Available August 13th from Synapse Films.
For folks that missed the deluxe editions of “Demons” and “Demons 2” back in 2021, Synapse Films re-releases the set but on standard Blu-Ray and 4K UHD. The pair of horror classics are back on the format and still in considerable high demand. That’s not too much of a bad thing as they play very well as party movies. The 1985 Lamberto Bava horror gem finds a group of movie goers trapped in a movie theater besieged by an endless army of demons. When they realize that the theater is literally a virtual death trap, they have to find their way out alive or risk becoming one of the hordes.
Animation buffs might end up appreciating and loving this oddity by Canadian filmmaker and animator Gerald Potterton based mainly on how it was conceived. On its own, “Tiki Tiki” is a gigantic mess of a movie that tries to fit a square peg in to a circle hole. At seventy minutes, Potterton’s film is packed with about forty minutes of filler. Most of the filler is comprised of random scenes of people dressed as monkeys, and nigh endless musical numbers. And what kind of musical numbers per se? It’s mostly funk and soul music, which when viewed in context, is absolutely awkward.
Most times Potterton almost seems to forget that this is kind of an animated movie pitting his characters as back drops for an incredibly dull story about pirates and Monchhichis.