Picking up a few years after the last scene of FP 2, this third entry in the series takes JTRO and his fam and gets them involved in a new challenge that includes everything from remixed to time travel. Will they manage to figure out what to do in time to save their world?
When a mega corp of ninja training comes to town and a super babe is kidnapped, Rex much leap into action to save her and the area from ill-intentioned bad guys.
A group of bus drivers who put together a show every year decides to veer away from their usual pantomime and go for something bolder, something they’ve never done before. They decide to adapt Alien to the stage. In doing so, they attract the attention of a pair of filmmakers and end up moving the show to the West End for one night only.
In a small French town, an elderly couple enters in a dance competition in the hopes to win enough money to get themselves out of debt. Meanwhile, a teen girl prepares for her first time, a politician makes budget cuts, and a creep awaits his next victim.
A young pregnant woman goes to work in a building about to be destroyed. With her security partner, they come across unusual things and happenings on their first night. As these things escalate, they must decide what to do and find a way out.
Part of director Jack Shanks’ “Mini-Nightmares” short horror series, “Man on a Train” is a beautifully timed, well paced, and excellently edited scary film. It’s short, it’s sweet, and delivers on a fright that’s completely unexpected.
The last time “Night of the Living Dead” was animated was in 2009’s “Re-Animated” where director Mike Schneider enlisted a slew of animators to offer their own interpretations of various scenes from George A. Romero’s masterpiece. That wasn’t so much a remake, as it felt more like an art installation, or a cinematic experiment that allowed us to view the classic film through various lenses and scopes, giving us unique peek in to the terrifying narrative. “Night of the Animated Dead” has a chance to feel like a unique re-imagining. Instead it picks off the corpse of George A. Romero’s “Night of the Living Dead.” Continue reading