This week’s episode of “The Online Movie Show” takes a look at the tumultuous history and still-resonating impact of F.W. Murnau’s 1922 masterwork “Nosferatu.” Our guest on this episode is film historian and podcaster Geno Cuddy.
This week’s episode of “The Online Movie Show” takes a look at the tumultuous history and still-resonating impact of F.W. Murnau’s 1922 masterwork “Nosferatu.” Our guest on this episode is film historian and podcaster Geno Cuddy.
No one ever truly sliced the ham like Marlon Brando, and this episode of “The Online Movie Show” celebrates the movie icon when he plumbed his most extreme eccentricities. Our guest is Facebook’s funniest man, Anthony “Kingfish” Vitamia.
From the silent movie era to today’s digital cinema, the women of comedy fought hard to get the laughs from the audiences and the respect of the critics. In this episode of “The Online Movie Show,” comic-writer-actor Kevin Dolan offers insight on the struggles and triumphs faced by the funniest women in film history.
Cinema Crazed’s Phil Hall’s podcast “The Online Movie Show” was nominated for the Best Multimedia Site Award in the 2020 Rondo Awards competition! This is a fan-driven award, meaning that you need to vote to help get him up to the award podium. Votes can be emailed to taraco@aol.com by Sunday night at midnight, March 29.
One of the strangest films of the Pre-Code era was Mack Sennett’s 1932 comedy “Hypnotized” starring the blackface duo Moran and Mack. On this episode of “The Online Movie Show,” film historian and broadcaster Geno Cuddy offers insight on the history of this highly irregular production and the distinctive talent behind its creation.
On this episode of “The Online Movie Show,” we consider the remarkable career of Boris Karloff, celebrating his iconic horror films and his diverse dramatic and comic work on screen, stage and television. Film historian Troy Howarth is our guest expert.
Is anyone paying attention to the film critics anymore? And have the film critics done more harm than good? On this episode, actor-comic-writer Kevin Dolan returns for a provocative consideration of whether film critics are still relevant.