During the 1960s, there was a flurry of all-star comedy films that tried too hard to be zany. “What’s New, Pussycat?” stands out in this genre for its freewheeling approach to sex – and while it often fails to maintain its frenetic pace, it has more than a few redeeming features to keep the viewer entertained.
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A young Australian man heads to the front and there sees more than he bargained for while trying to survive with his battalion.
Tiny Toon Adventures (1990)
Back in the eighties and nineties, many companies sought out to “youthify” their most popular properties and, presumably for the same reason, Warner Bros. gave their Looney Tunes brand a fresh new series… which made no sense considering one of the best shows on the ABC Saturday Morning Line Up for years was The Bugs Bunny & Tweety Show. That said, rather than featuring just younger versions of the Looney Tunes the creators of Tiny Toon Adventures opted instead to present us with a line up of brand new, hip, “extreme” versions of the original characters.
BOOTLEG FILES 879: “A Night on the Town” (1983 British television musical starring Ann Reinking, Eartha Kitt and Bobby Short).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Clearing the music rights is too expensive.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not in the U.S, although there was a U.K. release.
Musical comedy is, arguably, the most difficult genre to create. Not only is there the challenge of having on-screen talent who can sing, dance, and carry off light comic material, but there is the equal challenge of behind-the-camera talent involved in orchestrations, choreography, and the various production duties needed to create a magical world where people break into song and twirl about as if it was part of the daily routine.
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It’s hard to imagine but Hollywood just never seems to be short of attempts to re-think and re-imagine “Red Riding Hood. And surely enough they never seem to think of an interesting enough idea for a franchise of any kind. I wish they’d stop by now. “Red Riding Hood” is Catherine Hardwicke’s efforts to transform “Red Riding Hood” in to this Puritanical, Stephanie Meyer tinted romance horror film that never works as well as it wants to.
An actress facing agism decides to give a black-market drug a try to see what her other self could allow her to do.
Although not as good or edgy as Ralph Bakshi’s more adult interpretations of the “Lord of the Rings” novels, Rankin Bass’s “The Hobbit” is a very good animated movie that gets about as dark and edgy as possible. The movie is a nice and swiftly paced seventy seven minutes, allowing for this single adventure to go from point A to point B without ever missing a step. Unlike the bloated trilogy we saw from Peter Jackson, “The Hobbit” gets the job done significantly better, even if the pacing is particularly rushed.