The Dark Tower (2017)

“The Dark Tower” spends ninety minutes telling a story while doing almost nothing but dumping exposition on the audience. And yet, when the movie was over I knew as little about this world coming out than I did going in to it. With films like “Lord of the Rings,” and “Star Wars,” the creators manage to disseminate information and world build while also giving audiences an experience. “The Dark Tower” feels so under-developed and poorly developed, almost feeling like a truncated idea of what kind of movie series “The Dark Tower” was intended to be. I still don’t know what the Dark Tower is. I still don’t know who Roland Deschain is.

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Singapore Sue (1932)

This 1932 short film from Paramount was designed to highlight the musical comedy talents of Anna Chang and Joe Wong, vaudeville performers in search of a movie niche. Instead, the film unexpectedly launched the career of an unbilled actor who stole the show from the two stars.
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Sorority Row (2009)

“I Know What You Did Last Homecoming” is the more apt description for “Sorority Row.” It’s a slick horror movie made in 2009 that feels like it was dropped right out of 1998 and I mean that mostly as a compliment. As someone that’s had almost no faith in horror movies centered primarily on nepo babies and flavors of the week, Stewart Hendler’s “Sorority Row” is a shockingly good and entertaining slasher and whodunit that, while not the most thematically faithful remake, still manages to carve out its own niche in the massive library of remakes accrued in the early aughts.

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The Bootleg Files: No Man’s Land

BOOTLEG FILES 877: “No Man’s Land” (1978 production of the Harold Pinter play starring John Gielgud and Ralph Richardson).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: There might be a right issue that is unresolved.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: A re-release on DVD and Blu-ray is not likely at this time.

The greatest actors are those who do double-duty as alchemists – they have the unique gift of turning leaden works into marvels of shining gold. John Gielgud and Ralph Richardson are widely considered to be among the finest British actors of the 20th century, and together they elevated Harold Pinter’s less-than-remarkable drama “No Man’s Land” into an invigorating experience.
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