Available from WellGoUSA on 06/11/2024 on Digital and Blu-ray.
A SWAT captain blinded in a mission that went awry must get back into fighting shape when his daughter is in danger from a former foe.
Available from WellGoUSA on 06/11/2024 on Digital and Blu-ray.
A SWAT captain blinded in a mission that went awry must get back into fighting shape when his daughter is in danger from a former foe.
The Original novel from A.M. Shine is now available.
Now Exclusively in Theaters.
With the debut of Ishina Night Shyamalan I was hopeful that we would get a bold new voice for the genre film. Instead, she offers up a lukewarm, barely edible movie that fails as cinema, and failed as a movie you cam just use it as a means of killing time on a boring Sunday. You won’t kill time, but you might just doze off every now and then, thanks to its almost pride in tedium and dullness. For almost a ninety minutes movie, Shyamalan’s movie is painfully uneven in tone and pacing slowing down big time in various moments as a means to stage her clunky symbolism.
Now Available from Warner Home Entertainment.
After two whole months “Godzilla x Kong” is now available on physical media. Two whole months. Sixty days. 1,460 hours. I’m old enough to remember when it usually took eleven months for movies to be put on home video, but I digress. If you missed “Godzilla x Kong: The New Empire” after its theatrical run, it’s still a humdinger of a monster movie that is sadly Adam Wingard’s last outing in this monsterverse. It’s a fun note to exit on as I’m sure Warner and co. are planning to take the inevitable next chapter and use it as a chance for a soft reboot with Godzilla or Kong finding new challenges. Until then, there’s “The New Empire.”
Now Exclusively in Theaters.
I’ve had my problems with the “Bad Boys” series in the past, but unlike the “Fast and the Furious” franchise, it’s been one of the most consistent series of action films ever released. The vision for “Bad Boys” has remained very precise and direct without adding too much or taking too much away. The stakes get higher with every film, and through it all we’ve stayed with Marcus and Mike only without adding on so much excess characters like “Lethal Weapon” fell victim to. “Bad Boys” has mainly been a vehicle for Will Smith and Martin Lawrence, sure, but at least it knows what it is and tries to deliver on more complex ideas and bigger stakes.
BOOTLEG FILES 869: “Lulu” (1962 German drama starring Nadja Tiller and Hildegard Knef).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: On a public domain label that probably didn’t have the rights to the film.
REASON FOR BOOTLEG STATUS: It fell through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Remaking classic films is almost always a surefire mistake, since cinematic lightning rarely strikes twice. But it is easy to understand the temptation of going that route. After all, audiences don’t have to be cajoled into considering an unknown quantity with a remake, and the new versions usually take advantage of presentation opportunities not present in the original production – think of silent films remade in the sound era, black-and-white works reimagined in widescreen color, racy offerings that could unveiled without censorship constraints, and old-school epics refashioned with cutting-edge special effects to make them even more epic in scope.
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Austin Kase is an award-winning writer, director, and editor of short and feature films, music videos, and commercials who has recently directed the horror short “Hide Your Crazy.” The romance horror comedy and allegory for mental illness awareness has been doing well at various festivals and the up and coming filmmaker takes time out to discuss film and his love for horror.
With another Pride Month here, I’m always reminded at how much the LGBTQ+ community has contributed to the horror world. Be it literature, television, comic books, and or movies, the LGBTQ+ spirit is woven in to the DNA of horror as a whole from Mary Shelly, to Don Mancini, to Elvira, et al.
These are five truly great horror standards directed and/or written by an LGBTQ+ creator.