Hare Splitter (1948)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Ken Champin

The premise for “Hare Splitter” feels like someone took an old script for “Tom and Jerry” and retooled it for Bugs Bunny. One of my main problems that completely hinders “Hare Splitter” for me is that the whole short feels too much like it’s cribbing from the MGM formula. All that’s missing is the rambunctious mouse or angry yard dog. It too often feels like Tom and Butch should be the ones taking center stage instead of Bugs and his one and done rival Casbah. Too much of the short here feels like the animators were borrowing from Fred Quimby or Tex Avery (before his move to MGM), creating a premise that feels so far removed from what we’re used to seeing with Bugs Bunny.

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Hot Cross Bunny (1948)
Directed by Bob McKimson
Written by Warren Foster
Music by Carl W. Stalling
Animation by Manny Gould

Robert McKimson is one of my all time favorite directors for the Looney Tunes and Bugs Bunny, if only because his shorts always end up being so off the cuff and bizarre. But not bizarre in the Bob Clampett sense, but bizarre in original and outside the box. There’s just something so out of bounds about “Hot Cross Bunny” that even when I was a kid, I couldn’t get over the unusual energy of the short. When I was a kid, “Hot Cross Bunny” was one of the many shorts on constant rotation every Saturday morning on “The Bugs and Daffy Show” and I always got a kick out of it whenever it came on.

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Haredevil Hare (1948)
Directed by Chuck Jones
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Ben Washam

I freely admit that I have never been a fan of Marvin the Martian.

Yes, Yes, I know He’s one of the few ancillary characters from the Looney Tunes stable who’s managed to carve out his own niche. Back in the nineties he had his merchandise, and kitschy clothes and managed to set himself apart from Bugs to become his own character and he’s only appeared in five shorts, total! Just five. The thing I remember most about Marvin was that my cousin had this obnoxious alarm clock that he played over and over, first for our amusement and then just to get on our nerves. All in good fun, though. In either case, Marvin had his own corner of the universe with others like Michigan J. Frog and Tazmanian Devil, even appearing in many of the movies.

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Bugs Bunny Rides Again (1948)
Directed by Friz Freleng
Written by Tedd Pierce
Music by Carl W. Stalling
Animation by Gerry Chiniquy

This is the second, count ‘em, second short in a row where we get Yosemite Sam crossing our friendly neighborhood rabbit! There was a long period there where we didn’t see Sam at all and now he’s back after a failed stint as a pirate. Yosemite Sam is so hilarious because of his clear cut lack of self awareness. He is about as deadpan serious as it can get, and he’s so much funnier than a lot of the one and done Bugs Bunny villains. Heck, in his introduction to the short as the other cowboys shudder in fear announcing him, Sam appears at the Saloon doors and because he’s so short he walks under them, rather than smashes them open.

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Buccaneer Bunny (1948)
Directed by Friz Freleng
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Manuel Perez 

Yo, ho, ho, and a bottle of–Ma’s old fa-shioned ci-der! Ma’s old fa-shioned ci-der!

I have great sentimental value for “Buccaneer Bunny” as it’s one of the array of Bugs Bunny shorts that were often played during the Bugs and Daffy Show every Saturday morning when I was a kid. “Buccaneer Bunny” is edgy enough to still be hilarious but never crosses any lines. And we also get Yosemite Sam once again! That’s always a plus. Watching this short takes me back to when I was a child winding down from Saturday morning cartoons and greeting the early afternoon with the hour block on ABC Network. “Buccaneer Bunny” is still utterly hilarious and stands as one of the shorts from Bugs that hasn’t aged a bit.

Even with its stripped-down premise, the short is a masterclass in the excellent dynamic that Bugs and Yosemite Sam have together.

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Rabbit Punch (1948)
Directed by Chuck Jones
Written by Ted Pierce
Music by Carl W. Stalling
Animation by Phil Monroe

The bad new is that Chuck Jones re-uses a lot of the material from “Baseball Bugs” for “Rabbit Punch.” The good news is that “Rabbit Punch” ends up being very funny and memorable just the same. If you watch this and “Baseball Bugs” back to back you’ll see the obvious cut and paste, but this short is helped by the hysterical animation which really helps punctuate the hilarious physical gags and sight gags. There are some subtle bits of comedy that I still chuckle over. The frame as Bugs is hit by The Champ’s brick fist is absolutely priceless, and the POV of The Champ getting hit with a boulder by Bugs’ slingshot is just genius.

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A Feather in His Hare (1948)
Directed by Chuck Jones
Written by Michael Maltese
Music by Carl W. Stalling
Animation by Ken Harris

We’re so late in the game and we’re still doling out these hideous racial stereotypes for these Looney Tunes shorts. “A Feather in his Hare” reminded me a lot of “All This and Rabbit Stew” except this short elicits a ton of hideous Native American stereotypes without ever actually building an interesting villain. By now we’ve had Elmer, Yosemite Sam, and many more foils, and we’re still being fed this kind of muck. And it’s not just that “A Feather in His Hare” is awfully racist, but it’s awfully unfunny as well. It’s just a lot of exploring how many Native American stereotypes can be squeezed in to eight minutes, and none of it ever amounts to even a mild chuckle.

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