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The Bootleg Files: The Cocoanuts (Colorized)

BOOTLEG FILES 870: “The Cocoanuts (Colorized)” (unauthorized color-dappled version of the 1929 Marx Brothers comedy).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Because you can’t take a copyright protected film and colorize it.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

During the 1980s, there was a strange trend involving old black-and-white films being turned into color versions. Dubbed “colorization,” the trend began when the Hal Roach Studios began to colorize its 1930s titles including “Topper” and “Way Out West.” Later, black-and-white films that were in the public domain became prime targets for colorized versions – it was believed that consumers buying VHS videos would prefer color works rather than the old monochrome versions.
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The Bootleg Files: MetropolisRemix

BOOTLEG FILES 702: “MetropolisRemix” (a new riff on the silent classic).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO:
None.

REASON FOR BOOTLEG STATUS: An unapologetic case of copyright infringement that will not be allowed into commercial release.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE:
Not likely.

In 1984, music composer and producer Giorgio Moroder unveiled his restoration of the 1927 Fritz Lang silent masterpiece “Metropolis.” Film preservationists were aghast at the liberties that Moroder took – color tinting and isolated color effects within monochromatic scenes, a faster frame projection, subtitles in the place of intertitles and a new rock score that didn’t quite match the vibe of the classic production. However, audiences were mostly appreciative of this endeavor, and for a generation of moviegoers this marked the first time they experienced a silent film in a theatrical venue.
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