During the early 1970s, “The Sonny and Cher Comedy Hour” was a bright spot on the television schedule. The eponymous couple would team up with a stellar guest line-up (including Jerry Lewis, Jimmy Durante and Tony Curtis) and a rather voluminous supporting ensemble (including then-unknowns Steve Martin and Teri Garr) for comedy sketches and musical numbers.
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Two high school friends reconnect after one loses his job and get together to create the best, coolest, most trending new app to help shy people connect. Along the way, they learn a lot about themselves, each other, and life.
BOOTLEG FILES 718: “The Box” (1981 short film starring Terry Jones and Michael Palin, directed by Micky Dolenz).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: It seems to have fallen through the proverbial cracks.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
Terry Jones’ death on January 22 brought forth a wave of warm and cherished memories of the Welsh funnyman’s classic moments with Monty Python. Jones’ passing also encouraged some die-hard Python fans to unearth a genuine rarity: a little-seen short film that Jones and fellow Python Michael Palin co-wrote and co-starred together under the direction of ex-Monkee Micky Dolenz. One could imagine these three distinctive talents would have created something truly remarkable, but they strangely came up with a weird little bore.
I’ve been an animation nut ever since I was a kid, and it was tough to find varieties of animation since in the nineties it was a steady diet of Disney and Disney only. I was never really aware of the vast possibilities of the medium well into my early adulthood. “Spike & Mike’s Sick & Twisted Festival of Animation” is an event I would have loved to attend early in to my teens, if only to verify that there’s so much more you can do with the medium beyond singing animals, and fairy tales. “Animation Outlaws” is a very niche documentary but an outstanding film that will also speak to all kinds of fans of film and animation.
One of the strangest films of the Pre-Code era was Mack Sennett’s 1932 comedy “Hypnotized” starring the blackface duo Moran and Mack. On this episode of “The Online Movie Show,” film historian and broadcaster Geno Cuddy offers insight on the history of this highly irregular production and the distinctive talent behind its creation.
BOOTLEG FILES 717: “Hawaiian Punch Commercials” (long-running series of comically violent advertising).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No perceived commercial reissue for a home entertainment anthology of these commercials.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Utterly unlikely.
In concept, the notion of an advertising campaign anchored on deliberate physical abuse seems like a spectacularly bad idea – especially if the target audience is children. However, one of the most successful campaigns in advertising history involved a series of television commercials for a sugary drink that featured a strange little man who almost always punched a pleasant but dimwitted soul in the face, knocking him flat on his back.
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As Disney soaks up just about every viable property and franchise in Hollywood, studios have sought out some of the more vacant properties, and here comes the long dormant “Bad Boys” series. With the nineties as popular as ever, “Bad Boys For Life” is a great property to revive. The new sequel acts as a soft reboot that could potentially help it live past Will Smith and Martin Lawrence and in to the “Fast and the Furious” long road. “Bad Boys For Life” is a shockingly good restart for a new series, and I like how the producers take the titular heroes and allow them to grow in a world that’s becoming harder to keep up with.