Ultimately, I love the underdog story, I love to see the little guy accomplish and conquer their goals and beat the odds, and “The Cooler” is the ultimate under dog story. William H. Macy, an actor who I always enjoy watching plays Bernie Lootz an always down on his luck sad sack who works everyday as a “Cooler” in the Las Vegas casinos under Shelly Kaplow’s dollar. His bad luck is a surefire repellent for winning and though he hates the job, he does it because he’s good at it. That is until he meets Natalie, a waitress at the casino. The two begin to hit it off and quickly his luck begins improving, and money begins getting lost.
Tag Archives: Comedy
The Weather Man (2005)
Okay, loyal readers, here’s an unofficial list. Signs you know you’re watching a Nicolas Cage film:
1. There’s a surefire melancholy score of upbeat tempos, and downbeats.
2. There’s always a dim filter on the lens, usually with varying shades of gray or blue.
3. Cage is likely playing a glum, and or sad character; you can usually tell by looking at his frown plastered on his face throughout the film.
4. There’s narration, narration, narration, and plenty of it. Not useful narration either, but just to spell out every single action that can easily be dictated through competent editing and direction.
5. There’s usually a slow motion sequence here or there.
6. There’s always a character revelation.
7. His character usually has bad hair, only to accentuate his feeling of inferiority.
The Hitchhiker's Guide to the Galaxy (2005)
Director Garth Jennings mimics Ivan Reitman’s style, and sick humor down to every particular inch, and until I read up on this film, I’d convinced myself Reitman directed this. For a film that starts off with a musical number involving fleeing Dolphins singing “So long and thanks for all the fish!”, it’s obvious you’re going to get something new. I thought the dolphins would be CGI and animated, but having the song play while stock footage of Dolphins run on a loop is further proof of that not taking itself too seriously hypotheses. And its hard to hate something that sports a cast like John Malkovich, Sam Rockwell, Mos Def, Zooey Deschanel, and Alan Rickman, it’s hard to go wrong, and I had fun.
Evelyn: The Cutest Evil Dead Girl (2002)
Imagine if Dr. Seuss combined genius with Edgar Allan Poe, with Tim Burton bouncing ideas off of them, and what do you get? Well, if you’re lucky you’d get Evelyn, the cutest evil dead girl, a demented fairytale with the mood and color you never get in films anymore, the mood and color that’s missing from the horror genre today. Many call this basically a rip from “Lenore the Living Dead Girl” comic book, and perhaps that’s true, but “Evelyn” is such a sick and demented short film I had so much fun watching that I didn’t really care.
The Squid and the Whale (2005)
Yet another Oscar contender I’ve been aching to see before it was even an Oscar contender, “The Squid and the Whale” presents and upper middle class family of intellectuals and prominent athletes at war with one another. At the beginning of the film, I was rather worried this would become yet another “Ice Storm” rip-off except set in New York, but “The Squid and the Whale” is a simple but engrossing parable of a family set in half, and their children having to choose sides. “The Squid and the Whale” is a basic tale of two parents so at odds with one another that it follows down to their children whom are also at war and don’t even seem to realize it. Noah Baumbach’s writing is very enlightening with this simple slice of life of a family at war, and really doesn’t depict anyone as a villain, though the story does veer to certain directions here and there.
Comparing “Shall We Dansu" and "Shall We Dance?": The Superior and the Inferior
I admit I’ve never seen either films, but I watched both one after the other leaving bias’ aside and judged them as separate entities while comparing them to see which one was better. Contradictory, sure, but shut up. Either way, both films are different in terms of their content. While “Shall we Dansu?” is a risqué film in Japan seeing as how human affection isn’t as casual or normal as anywhere else it, “Shall we Dance?” Is normal to the point of being bland. In the country where we watch people having sex on-screen, watching two people dance is nothing worth scoffing at. But in many films in Japan, characters fall in love without ever really kissing, so “Shall we Dansu?” ended up becoming the more original, and layered film.
The Adventures of Sharkboy and Lavagirl 3-D (2005)
The words Robert Rodriguez would come to regret saying for years to his son: “This would make a cool movie”. Oy. It’s difficult to just outright cut this movie a new one, especially since the intentions behind it are admirable. Whether or not Rodriguez’ son thought of the story, dreamt of these characters, and or co-wrote this screenplay, it’s hard to completely rip it apart. It sucks, that’s a given, and its Rodriguez’ worst, but I’m still trying to figure out why this was made. I remember kids movies being bad, especially when I was a kid. I had to suffer through “Rock a Doodle”, “Ferngully”, and “Mom and Dad Save the World”, but I believe it’s possible to make a very good kids film.