Scooby-Doo (2002)

Scooby-Doo“Let’s get jinkie with it.” Yes, folks, this is actual dialogue from the movie that is spouted by the “smartest” of the characters, Velma. The characters are poorly cast, including Daphne, who, played by Sarah Michelle Gellar, looks nothing like her animated counterpart, Freddy, played by the atrocious actor Freddie Prinze Jr. has little command or charisma so it’s hard to take him seriously at all. Matthew Lillard is good as Shaggy but fails to gives the squeaky voice that Shaggy provides in the cartoons. Scooby is poorly animated and just looks weird and nothing like the original dog. At times he gives these odd expressions which made me furrow my brows a lot.

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Eight Legged Freaks (2002)

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Admittedly, I was scared a little when I saw Dean Devlin’s name in the credits, but his influence seems surprisingly restrained and minimized only to special effects. “Eight Legged Freaks” is a loving and raucous homage to the fifties giant features and a rather great one at that. Rather than try to depict a stern narrative about a spider invasion, director Ellory Elkayem embraces the silliness and instead provides a pulpy monster movie with vicious violence, and some damn good dark comedy.

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Snow Dogs (2002)

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What happened to you, Cuba? The Oscar Academy should ask for their Oscar back. Cuba Gooding tries his hardest at physical comedy and shtick, but fails miserably. He often gives these off-key and ridiculous facial expressions, often looking like a fool. When he tries to be sincere, he also comes off as an idiot. The scenery looks so artificial, despite the fact it takes place in Alaska. Cuba Gooding Jr. (Jerry Macguire, Boat Trip) plays Ted Jones a famous Miami dentist who enjoys his commercial wealth and success.

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About Adam (2001)

I enjoyed the whole depth behind this movie. This is a family who aren’t very close to begin with, and each character is completely opposite to the next one. Kate Hudson is enjoyable as the flirtatious man-eater. Her plot was probably the best one as she manages to fall head over heels for this snake. Frances O’connor gives a radiant performance as the meakish bookworm of the family who also becomes interested in Adam and gets involved in a lurid affair with him. Adam is also a very interesting character; I think Adam is more of a symbol in this movie than an actual character. He is the quintessential man that each of these people picture and often he gives them what they want or desire through intricate planning. We never truly learn anything about him and whenever he does talk about his past, his stories are altered for the people he’s with simply to charm them and win them over through pity and sentiment.

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Sidewalks of New York (2001)

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In this charming intertwining tale of love, lost, and sex, director and writer Edward Burns stars as a posh New York salesman Tommy who falls for a City school teacher named Maria (Rosario Dawson). She is being annoyed by her door man/musician ex-husband Ben (David Krumholtz), who is re-discovering love with the help of Ashley (Brittany Murphy), who wants to be with him, but is stuck in a tawdry affair with Griffin (Stanley Tucci), who is stuck in a dead end marriage to the highly opinionated liberal real estate saleswoman Annie (Heather Graham) who is falling for Ed Burns’ character, who is being coldly snubbed by Maria. Wasn’t that a mouth full?

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Divine Secrets of the Ya Ya Sisterhood (2002)

This is based on the book by Rebecca Wells and was adapted into a mildly successful chick flick in the box-office. This easily disappeared but its hard to figure out why. I rather enjoyed this film. It’s a good movie about the bond between a mother and daughter and how you can never truly know your parents as much as you think you do. Sandra Bullock is great as Siddalee Walker, the angry and disgruntled woman who has a cross to bear with her mother and often exhibits the corky odd traits her mother does. She’s terrible in relationships because she fears she may take the same path as her mother did when she was younger.

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Cherish (2002)

cherishThis is an excellent movie, I must say. At first I was a bit hesitant to watch this, because the first five minutes drag on with slow moving dialogue and character development. This movie tries to make a clear point of the fact that she is indeed a lonely desperate character, and they use her vulnerability and desperation against the audience as we witness her injustices but can do nothing about it. Finny Taylor is top-notch at both directing and writing this great black comedy and gives us a minds eye view into this character. The character Zoe often hides herself and escapes into music throughout the movie, so much so she is well-known by a DJ at a local radio station.

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