I cried when Brandon Lee died. I can still remember being a young kid still reeling from watching “The Crow” a week before and suddenly watching a news report about the death of Lee. Is that a bit over the top? I don’t know, I can’t say. I don’t think it was an irrational response, to be honest. In that age I was impressionable and very passionate about movies and I was becoming a huge fan of Lee. I’d seen “Rapid Fire” and “Showdown” a million times and he’d convinced me he was worth following in “The Crow.” I mean what’s so wrong with mourning someone you admired? People cried when Lennon died. People cried when JFK died. People cried when John Wayne died. Hell people cried when Bruce Lee died. So I don’t honestly think my reaction to Lee’s death was unreasonable. Because this man had every single aspect that showed he was capable of becoming a humongous star. And whether he became the neo-Bruce Lee or just faded in to obscurity, it didn’t matter. “The Crow” encapsulates everything that was amazing about Brandon, and if he moved on to doing nothing but cheap action movies, “The Crow” would have stood as his ultimate.
Tag Archives: Comic Book
Victims. Aren't We All? Part One
“Someday all things will be fair and there will be wonderful surprises.”
If my house was burning around me and I had to pick one movie from my collection to keep, I’d pick “The Crow.” Even over “12 Angry Men.” Yes, I think about these sort of things, because in the last month I’ve done a lot that has revolved around “The Crow” and Brandon Lee. I am finishing up a large fan fiction about “The Crow,” I saw “Rapid Fire” for the first time in a year on HBO, and one day out of the blue I had the strange urge to watch “The Crow” again, and for some reason it was kind of emotional for me. I can’t explain it, really. Movies make me emotional but that’s during the dramas and whatnot. Normally movies based on comic books only manage to elicit excitement from me and that’s about as far as it goes, but with “The Crow” it’s a movie I’ve seen a thousand times and for some reason this viewing on the morning of a Sunday, I found myself quite engrossed in it.
The Top Ten "Kick Ass" Moments
Well, it’s coming, yet another superhero comic adaptation but thankfully this one is different. If you’ve never read it before, “Kick-Ass” is not so much about superheroes as it is about regular narcissistic everyday people putting on costumes and trying to fight crime and somehow finding themselves becoming real costumed superheroes when they just happen to crash in to a real life villain who wants them dead at all costs. There’s a violent karate fighting nine year old, a lot of really disgusting violence, and a storyline that is more realistic than most comic books tend to be. “Kick-Ass” does not stylize being a superhero. It’s rough to read.
Coming up on April 16th is the big screen version with an interesting cast who are threatening to take the box-office by storm and if you’ve ever seen the appealing trailers, you’ll know that we’re in for something quite spectacular. After reading the comic series a while ago, I thought it’d be good to pinpoint the top ten moments in “Kick-Ass” that particularly disturbed or excited us. Believe it or not, “Kick-Ass” is quite a good comic with a creator who managed to make history in comics by creating “Wanted,” another very violent comic turned in to a hit movie starring Angelina Jolie and Morgan Freeman. “Kick-Ass” is a bit more conventional, but damn it looks quite good in spite of Millar’s apparent homophobia and penchant for racial stereotyping. So without further ado…
Warning, since the comic is somewhat similar to the movie, there will be potential spoilers.
30 Days of Night (2007)
Vampires. I’ve suffered for many years of sheer abysmal vampire sub-genre crap thanks to the likes of different “twists” that was dead in the water. From suffering through the frilly angst ridden vamps thanks to Anne Rice that bred a thousand MySpace emo teens, to the Matrix carbon copy leather clad models a la Len Wiseman, it’s nice to see vampires be horrifying creatures (on film) once again. Thanks to David Slade, and Steve Niles, “30 Days of Night” makes a great transition from the page to the screen. David Slade who made his debut with the masterpiece “Hard Candy” shifts tones and completely amps his energy with what is one of the better horror movies to come around in years.
300 (2006)
“300” is really nothing more than a movie about war. It’s about a society that paints war as heroic, and beautiful, about a society that views death in battle as heroic, and unflinching loyalty to government as brave. And yet, we know better. But this was the society. This is society period. It’s not difficult to see what the subtext is if you look hard enough.”300” though is also a beautiful action film that stages every scene as a living painting. Frank Miller, in spite of my disagreement with his views, is a wonderful writer. And he without a doubt set the stage for many writers to explore new domains in the comic book world.