Writer, Interviewer Tiffany Blem:
Tag Archives: Horror
From Sleepaway Camp to Unspoken, Katherine Kamhi Interview [Women in Horror Month 2024]
From Sleepaway Camp to Unspoken, Katherine Kamhi makes her mark:
Wednesday: The Complete First Season [Blu-Ray]
Now Available from Warner Entertainment.
Since the unfortunate passing of Raul Julia, Warner has spent many years trying to reboot their “Addams Family” property for a new generation. While the animated movies were fine enough, they just couldn’t build enough momentum. Enter Jenna Ortega. Ortega has been one of the hottest and most talented young actresses of the last five years who took the lead in a new kind of “Addams Family” series. This time, with Tim Burton leading the charge, fans got to spend a lot more time with the adolescent daughter of the brood Wednesday.
Shockingly, it works.
Writer, Director, Actress, Model, and More Morrigan Milam Interview [Women in Horror Month 2024]
Humanist Vampire Seeking Consenting Suicidal Person (2023) [Make Believe Film Festival 2024]
I’ve been enamored with the French-Canadian “Humanist Vampire…” since the beginning of the year but didn’t quite have the means of being able to view it. I’m glad that I finally had a chance to, since Ariane Louis-Seize creates such a charming, and interesting coming of age horror comedy that re-thinks the whole idea of being a vampire, while also using it as an allegory for restarting our lives. Louis-Seize’s horror comedy, while not entirely original, still excels on being a great slice of life that embraces the absurdity of its premise.
Venezuelan-Born Filmmaker Elena Stecca Interview [Women in Horror Month 2024]
Immaculate (2024)
People often underestimate Sydney Sweeney as an actress as she’s someone that can not only act her heart out, but she can also carry a film. “Immaculate” from Michael Mohan excels in every way possible, including Sweeney’s performance. She doesn’t just play a damsel in distress, but also depicts someone that is doing everything she can to fight her way out of extraordinary circumstances. Bound to be compared to “Rosemary’s Baby,” I likened “Immaculate” more to Ti West’s “House of the Devil” where a young girl is thrust in to a situation we, as the audience, are never quite sure what is unfolding, even when we’re explained what the sinister forces have in store for our protagonist.