Netflix’s 2018 surprise hit “Birdbox” was a pretty good movie that skated on thin ice from minute one since it was accused of aping the concept for “A Quiet Place.” But the efforts of a sequel have firmly placed it as a movie better off left as a one and done horror film. “Barcelona” is considered kind of a sequel and kind of a spin off, but in reality it’s kind of a glorified pilot. I don’t know if Netflix is planning more sequels down the road, or a TV series, but “Barcelona” feels like the first of many incoming spin offs. And it never once feels like a complete movie, but only a buffer and promise of things to come. And as a follow up to the original, it fails epically assuring I won’t be back to see how they further develop this premise.
Tag Archives: Horror
Five Great Movie Fights Set on Trains
One of the best scenes of “Mission: Impossible – Dead Reckoning Part One” is the big fight scene staged in and on top of a train, and it brought to mind some of the better train fights ever staged in film. There have been many as it’s been one of the more classic tropes in fiction, so I listed five of my all time favorites.
What are some of your favorite fights on trains or public transportation?
Vultures (2023)
Writer and Director Jacob Thompson’s “Vultures” is a short teeming with feature film potential. There isn’t a ton of exposition or extrapolation on the world he’s unfolding, but considering the limited budget, I think we get the point pretty well. Thankfully with a lot of good editing and direction we catch on almost immediately and garner a glimpse in to a pretty terrifying world.
The Black Mass (2023)
In the winter of 1978, a group of students were the victims of a serial killer, this story based on true events revolves around the students and the other victims in their area.
Final Cut (Coupez!) (2023)
If you, like me, were blown away by 2017’s “One Cut of the Dead,” you’ll have been surprised to learn that there was indeed a French language remake right down the pipeline. I’ll admit that I was very annoyed by this news, but everyone’s experience making movies is different and this story translates well to any one that has endured making art. “Final Cut” when all is said and done is a very good remake of the 2017 original. It’s funny and clever, but it never quite hits the emotional highs and sincerity that Shin’ichirō Ueda’s original ever does.
The Flood (2023)
During one Louisiana’s wildest hurricanes, a group of convicts attempts to breakout while in transport from one jail to another. While forced to stay at a local sheriff’s station, they end up facing off with more than wind and rain.
Astonishing Tales of Terror: Rocktapussy! (2022)
I appreciate what Andrew Cymek, who writes and directs “Rocktopussy!”, tries to with his feature film, utilizing as many resources as he can to deliver something that unabashedly melds Heavy Metal, Barbarella, and HP Lovecraft. I’m not sure what he has planned for future films or if there’s going to be more movies under the banner of “Astonishing Tales of Terror,” but “Rocktopiussy!” is off to a good start with a movie that while it doesn’t deliver completely on promises made in the trailer, is at least a fun time with some midnight movie potential.