Nightlight (2017) [Horrible Imaginings Film Festival 2017]

A young boy keeps having to turn on his nightlight to read as something is turning it off every. single. time.

Director Kyle Daly takes this simple premise and makes it both a little scary and funny at the same time. This short works well by repetition and by showing the viewer just enough until it’s time to show much more and make the film truly memorable. His sense of timing and how the story is developed are what make the film truly work. It’s short short and it’s absolutely worth seeing if possible as it doesn’t take itself seriously, yet works like a charm.

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Level (2017) [Horrible Imaginings Film Festival 2017]

A man stuck in a warehouse looks for a way out in what looks to be a never-ending game of cat and mouse.

Written and directed by Andrew Hunt, the film takes the simple premise of a man stuck in a warehouse and turns it on its head a bit having him question life and the reasons why he is stuck there. The film explores this while not really giving any answers. The ending to this makes the film and as thus will not be spoiled. The writing and directing do are what make this short film work so well along with the acting.

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Midnighters (2017) [Horrible Imaginings Film Festival 2017]

A couple coming back from a New Year’s party hits a man on the highway. As they try to figure out what to do, things take turns for the worse and worse, testing them and their resolve.

Written by Alston Ramsay and directed by Julius Ramsay, Midnighters is a thriller with touches of horror that takes its time to set up the situation and the stress of it before through a wrench into the proceeding and ads extra characters in the story and everything takes a few more turns that are surprising yet still make sense. The writing and directing of the film show that they creators work well together and them being brothers definitely help. Their work is good here and the film is a tightly planned and executed thriller.

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That’s Final (2017) [Horrible Imaginings Film Festival 2017]

Two women argue as to which of them will be the final girl when a masked killer is after them in their home.

Written by Christine Gatlin and David Raines and directed by John Freeman, this short takes the slasher genre and spins it on its head. The killer here is completely ridiculous but that’s the point, in part, as it’s not about the killer but about the three, then two, women running from him and how they discuss the situation and try to figure out which of them is to become the final girl. The discussion is witty and funny with a sense of humor that will appeal to fans of films like Scream and horror in general. The film’s short format really works to its advantage here as the “joke” is just long enough without overstaying its welcome. The film itself is thus quite entertaining, funny, and just a bit bloody.

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Yesterday is Tomorrow (2017) [Horrible Imaginings Film Festival 2017]

A mourning woman must confront her past and her dreams as they begin blurring and causing her much pain.

Written and directed by James C. Shahanshah, this short takes on issues of grieving, regret, sadness, depression, and other mental issues. It tackles them fairly upfront and manages to make a film that is touching and emotional while also not over-doing any of it. The subtlety of the film and how it proceeds with the emotions at hand works great for this type of situation and message. The film does not skirt any part of the issues at hand, but it also does not go for too bluntly which is something that takes a mastering of storytelling and directing clearly shown here from James C. Shahanshah. He gives his leading lady the spotlight and doesn’t force the gaze upon her but more like lets it rest upon her emotions. The film layers the lead’s emotions to create something that becomes heavier and heavier as the runtime moves forward.

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Assumption (2017) [Horrible Imaginings Film Festival 2017]

A man wakes up trapped in a cargo elevator, as time goes by, his spends his time speaking with the disembodied voice from the security room and begins to lose his mind.

Written and directed by Anthony Leone, Assumption is a one location film that does make the most of its location and that trapped feeling that happens when one is stuck in an elevator for an extended period of time.  The film explores themes of guilt and purgatory in direct and indirect ways while also showing the true colors of its only onscreen character.  However, this could have been done in less time as here the film feels overly long and repetitive after a while.  The ideas and the story are good, but the way it’s executed feels like something is either missing or it could have been trimmed by a lot.

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