This is “Scream” werewolf style, with red herrings, a hip cast, endless pop culture references, jump scares and a leading lady who can actually act being forced in to a situation. She even has a spazoid sidekick. Plus there’s that “Scream” style ending with everyone running back and forth and the “Maybe it’s him, maybe it’s her, but no it’s this person!” gimmick. But more characteristically, “Cursed” is a jumbled mess filled with moments that will surely have you repeatedly declaring “That would have been a great sequence”, and I was doing the same thing. Werewolves in the mirror room? Would have been great. Changing in to a werewolf in a public bathroom? Would have been great. Silencing barking neighborhood dogs with a howl? Could have been great. But alas, none of it really is.
Tag Archives: Horror
Day of the Dead 2: Contagium (2005)
It’s hard to take a film like this seriously; as a matter of fact calling this a film is very funny in its assumption, but regardless, taking this seriously is a real stretch and requires somewhat of a straight face. My suggestion is to completely shut off any expectations, logic, and common sense and try to make it through the ninety minute crap fest, now there’s an endurance challenge. Be warned though, this is not a sequel in spite of its title; it seeks only to shamelessly market off of the name of Romero’s masterpiece, and it bears no connection other than the title alludes to. While Romero’s film was a brilliant dissection of military corruption and paranoia, this crap fest is just an endurance test of sheer taste and torment.
Dead End (2003)
The whole film goes about itself in a rather coy manner from beginning to end. The writers of this have this constant attitude to the audience telling us “Oh, we’re going somewhere with this! You just watch the magic happen!” But the problem is, there’s no magic and the film goes nowhere and beyond. “Dead End” is a title that has never been so proper of its story, before, because the film is a dead end from the very beginning. The entire film thinks its so clever leading us along these ridiculous sequences all for a “surprise” ending that is so utterly predictable, derivative, and yawn inducing, so the writers take us nowhere and bring us to this zero pay off moment all for the sake of camp.
My Little Eye (2002)
While the whole people on a reality show having the tables turned concept is recycled by now, “My Little Eye” has managed to master such a concept with a brilliant horror thriller that is just undeniably engrossing from start to finish. From the opening credits, we can already see the director playing games with the audience by filming the entire scroll of the Universal logo and the entire film in general in digital form resembling a web cast. We never once, throughout the entire movie, see a shot filmed with an actual movie camera, yet instead look only through the eyes of the cameras watching this group of people. Essentially, “My Little Eye” borders on the routine; different people brought together, they clash, there are your bumps and creaks, but eventually, as the movie goes on, it becomes increasingly intelligent in its searing undertones and social commentary.
Vlad (2003)
Imagine “Bram Stoker’s Dracula” mixed with “The Davinci Code”, imagine “Interview with the Vampire” sans the homosexual overtones, imagine “Dracula”, mixed with two Benadryl, a shot of whiskey, and a knock on the head, and you can perfectly sum up what “Vlad” is. This poor man’s “Bram Stoker’s Dracula” that becomes more of a quasi-“The Vlad Code” is a snoozer and a half, as a bunch of people try to dissect the legend of Vlad Tepes, but what sounds like a taut analyses of the legend of a war monger inevitably becomes a murky, utterly mindless, superficial quasi-thriller with people talking a lot and not saying much, characters interacting without chemistry, a lot of discovering Romanian villages without ever involving the audience, and a lot of characters walking around the forest without getting anywhere… and Billy Zane shows up at one point.
Camp Slaughter (Camp Daze) (2005)
So, as I’ve mentioned a million times, I’m a hardcore slasher fan. Aside from being a hardcore horror fan, I also am a fan of the sub-genre, and director Alex Pucci and writer Draven Gonzalez really seem to know their stuff when it pertains to slashers, and that’s one reason why I was smiling throughout the entire film. The film opens as you would expect any slasher to. Dark creepy camp, a camp sing-along with a ridiculously catchy hook, and then death. And then more death. The ending though is very similar to the opening of “Friday the 13th”, hell even the score and opening title nearly make it almost identical, and my attention was caught. I loved the opening simply because director Pucci captures the mood very well and almost copies the original film to the tee.
Anacondas: The Hunt for the Blood Orchid (2004)

Baffling: This is a sequel to a really bad B film with a cast of Jennifer Lopez, Ice Cube, Owen Wilson, and Jon Voight.
Obvious: None of them returned for this.
Baffling: This is a sequel (!) to “Anaconda”.
Obvious: It’s really bad.
Baffling: This was released in theaters during the summer.
Obvious: There are no A or even B list actors in the cast.
Baffling: This isn’t a straight to video release.
Obvious: It should be.


