So far, the second season seems to be attempting to make up for the mistakes the first season made, and the two directors with the worst episodes of the first season, end up creating better episodes this time around. Landis whose episode, “Deer Woman” was basically a lightweight horror effort, makes up for it with the excellent installment “Family.” Harold Thompson loves his family. He lives in his large house in the middle of a bright suburb, and he keeps his family closely guarded and drawn away from human eyes, and there’s a good reason for that.
Tag Archives: Masters of Horror
Masters of Horror: The Damned Thing
What do you know, after a long break, “Masters of Horror” returns. With a season of ups and downs, and mostly downs, the premiere is backed by the one and only Tobe Hooper whose last entry “Dance of the Dead” left much to be desired in terms of intelligence, coherency, and all around entertainment value. “Masters of Horror” was a season of safe scares, and that’s a shame. Is this season premiere any better? Yes. Yes it really is. “The Damned Thing” has everything that was missing from the first season. There is a substantial amount of engrossing story, wonderful characterization, a stern tone, and cogent direction a la Hooper who rebounds from the abysmal “Dance of the Dead.” After his father goes on a violent fit of rage suddenly, killing his mother on his birthday, Kevin Reddle, now a sheriff, is preparing for “the damned thing” to come, but how prepared is he?
Masters of Horror: Imprint
What—you thought I wouldn’t review this episode? You fool. Showtime, or as I like to call it, HBO-lite created the “Masters of Horror” series more as a Halloween novelty and then in to a full on series. They then invited horror veterans to throw in their own tales in the proverbial cap and really garner ratings and acclaim. And then they took on Takashe Miike. And then they banned his creation. The equivalent of this being that I ask an artist to draw the most disturbing picture he can, and then when he does, I scream “Whoa! Too disturbing!” And then I tear it up. My question is: How can you give an arsonist a match and then not expect him to burn down a whole city? How can you let Takashe Miike direct something for you and then get angry when he actually directs?! Did anyone at Showtime even know who he was?
Masters of Horror: Haeckel's Tale
So we have the season finale, finally. Excuse the inadvertent pun. With a season of highs and lows, good and bad, and hits and misses, “Masters of Horror” season one comes to an end. With a period piece concerning death and the living dead. Sure, to some it may seem like yet another retread, and in many respects it was, but as a standalone, I really liked this episode, and because it involves zombies, and has the great Gregory Nicotero, you know you’re about to see some wicked zombie make-up effects. Haeckel is a young doctor who seeks to discover the mysteries of the necromancers, their necromancing, and the voodoo that they do so he can use it for his current scientific project of re-animating dead corpses, but he finds he’s gone too deep when he is taken in by a couple one night and discovers the wife holds a mystery.
Masters of Horror: Pick Me Up
“Pick me Up” prides itself in being both morbid and pleasingly twisted. As if the concept of open roads and total strangers wasn’t uneasy enough, the fact that the writer pinpoints that there can also be psychotic truckers and psychotic hitchhikers works with a great effect. The ego war between both Walker and Wheeler is fascinating to watch as they have almost a competition killing people they come across and taking immense interest in their methods. And then there’s Fairuza Balk. Normally, I’m not one who thinks she’s sexy, but surprisingly, here, watching her walk around in a towel was sexy. She’s unnecessary, but she’s good here.
Masters of Horror: Fair Haired Child
A young unpopular girl from Connecticut named Tara is run over one day after school and awakes to find herself being held hostage by a couple. She’s thrown in to their basement and discovers a young boy hanging from a rope. She saves him and now the two hostages must find a way to get out of the basement before the monster awakens and eats them both. I’m not a fan of Petty basically because she always plays the same character in every movie, but here she’s really good and provides a truly creepy performance as the menacing Judith who seeks to keep Tara locked up as long as it takes. Petty is at her most threatening looking like a vampiric Kathy Bates running the show and waiting for Tara to be killed. “Fair Haired Child” is a dread-filled installment with true suspense and mystery and the eventual surprise of what lies in the basement without her knowledge.
Masters of Horror: Sick Girl
Of all the episodes from the “Masters of Horror” series, this was the one I was really looking forward to because: a) It’s Lucky McKee, how cool a name is that? b) It’s described as “The Fly” with lesbians, and c) It has Misty Mundae in it. Yeah, so what I’m a fan of her. “Playmate of the Apes” (Making out with a pink ape? Priceless) and “Lord of the G-Strings” is quality shit, with some brutally funny performances. “Sick Girl” is a freaky, campy, and utterly clever jab at lesbianism in America, but also a good retread on “The Fly”. I don’t know why, but I assumed “Sick Girl” would be played to a more dramatic effect, but then it’s Lucky McKee, this guy likes to play on odd.